ErmengardeStopSniveling said: "Assuming the Britney musical will not get rave reviews (meaning it will not have the "serious theatergoing audience" ), it could be this season's CHER SHOW or JAGGED LITTLE PILL or GROUNDHOG DAY or SPONGEBOB or BE MORE CHILL: a strong start that has its fans but ultimately fizzles out.
She may be the Queen of Pop, but she isn't IN the show. The show might be a ton of fun, but will it command a $100+ average ticket price over a period of 1-2 years? I really don't know.We should not underestimate Britney fans. They are ravenous. But there has yet to be a show to recoup with a mostly-Millennial and Gen X fanbase that doesn't get rave critical reviews and/or Tonys.
Nederlander probably hopes this can be the next MAMMA MIA, but one must manage expectations."
Unfortunately, I would say the same about & Juliet, wherever that may play. The show is shoehorned to oblivion and comes off as a less effective Kiss Me, Kate, though it does have a few things going for it (Martin’s music, diverse and talented casting options, Sherman’s outstanding orchestrations).
I do know for a fact that Eva Price has joined the London producing team for a Broadway run (a la Kevin McCollum with SIX), and my man Dominic Fallacaro will once again MD - he opened the West End production before Patrick Hurley took over about a few months before theaters shut down.
“I am furious, but I am sailing.”
Updated On: 4/27/22 at 02:43 PM