#1
Posted: 9/9/06 at 3:39am
You know that extra $1.25 that's tacked onto every ticket we buy? That's a theater restoration fee.
The number one aspect of every theater that needs to be fixed is that the stages and seats need to be placed in such that every seat offers a full view of the stage. Obstructed view seating is so silly and I hope someday it will be a thing of yesterday! The Biltmore was completely renovated a couple years ago and now every seat offers a full view of the stage.
Which theaters do you think most need restoration and what problems need to be addressed?
I'll also add that there needs to be more leg room in the mezzanines and especially balconies (Studio 54 anyone?). I personally don't think Studio 54 should even be a theater. It wasn't built for that purpose and does not function well - most apparently with straight plays. I saw STREETCAR (from the Front Mezz) and A TOUCH OF THE POET (from the Rear Mezz) and it was uncomfortable, too far away, tight, and it was very difficult to hear the dialogue on stage. I even sat in the back of the orchestra for ASSASSINS and it was too far back to understand what was being said. Maybe it's just an acoustics issue.
Anyway, what theaters need to be renovated and how?
The number one aspect of every theater that needs to be fixed is that the stages and seats need to be placed in such that every seat offers a full view of the stage. Obstructed view seating is so silly and I hope someday it will be a thing of yesterday! The Biltmore was completely renovated a couple years ago and now every seat offers a full view of the stage.
Which theaters do you think most need restoration and what problems need to be addressed?
I'll also add that there needs to be more leg room in the mezzanines and especially balconies (Studio 54 anyone?). I personally don't think Studio 54 should even be a theater. It wasn't built for that purpose and does not function well - most apparently with straight plays. I saw STREETCAR (from the Front Mezz) and A TOUCH OF THE POET (from the Rear Mezz) and it was uncomfortable, too far away, tight, and it was very difficult to hear the dialogue on stage. I even sat in the back of the orchestra for ASSASSINS and it was too far back to understand what was being said. Maybe it's just an acoustics issue.
Anyway, what theaters need to be renovated and how?
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 9/9/06 at 03:39 AM