I was just at the Cort theater, and I've got to say, I don't understand how a 1,000 + seat theater, can have only three stalls in the main ladies restroom. I got online when I arrived, twenty five minutes before the show, and I didn't to my seat till the show was about to start. I realize that you all are talking more about the actual theater, but I found that so ridiculous... the ushers were sending poor old ladies to a restaurant across the street to use the bathroom! Can that dollar fifty PLEASE go to adding some more stalls?
"I think every theatre needs some sort of added construction that makes it so cellular phones and electronic devices lose all signal upon entering the theatre."
I seem to recall reading an article about this. The major problem with this that it also block electronic devices that need to be heard-police, fire department, paramedics. The benefits for comfort are far outweighed by the safety issues involved in an emergency situation in 1000+ seat theatre.
With nothing in the Neil Simon, it would be a great time to renovate the theatre. The theatre mostly needs renovation in the lobby, basement, and walls. Most of it is just plain ugly. After Hairspray sold 3,418,653 tickets with a $1.25 restoration fee per ticket, there should be $4,273,316 for renovation from ticket sales alone. I love the theatre, but it could serve very well from interior renovations.
"I mean, sitting side by side with another man watching Patti LuPone play Rose in GYPSY on Broadway is essentially the equivalent of having hardcore sex." -Wanna Be A Foster.
"Say 'Goody.' Say 'Bubbi.'" ... "That's it. Exactly as if it were 'Goody.' Now I know you're gonna sing 'Goody' this time, but nevertheless..."
The lay-out of the Cort is rather bad. I remember just trying to get to the restroom was hectic. It's too cramped back there behind the orchestra. I'm not sure how they could solve that problem, but surely something can be done.
While, sadly for me, I only had minor problems with the leg room at the Walter Kerr, the man next to me appeared to be about 6' tall. He said he was in pain and I believed him because most of his legs fell into my area or his wife's area on the other side of him. There should be enough leg room for a 6' tall person in any theatre.
They could do what they did with the Longacre ... tear up the orchestra level and dig deep into the earth below to carve out a new lounge area. They did the same thing when the Biltmore/Friedman was restored. The Cort - though still a quite attractive house - was once painted in florid colors - lots of peacock blues, pinks and peach shades. Over the years, it's been dulled down with that institutional oatmeal color. Also, the latticed proscenium has colored glass behind it that used to be illuminated. (You can see some of it if you head down front and stare closely at the lattice. There's blue glass behind it). I do hope the Cort gets the Longacre treatment. Will Ferrell's show and eight months of The 39 Steps have proven that there's no curse in that house.
As far as which theatres need restoration the most: the Belasco and the Ambassador always top my list, but the Richard Rodgers also needs some major interior work - surely the grey walls and black ceiling could not have been the original color scheme!
Begin at the beginning and go on till you come to the end: then stop.
The lighting in Stuio 54's mezz is dreadful. It's not lighting at all--just some floodlights aimed onto the seating area. I find that they're shining right into my eyes and make it impossible for me to even read my Playbill (or the copy of FANNY HILL I'm currently plowing through).
the nederlander is in need of some renovation when rent closes.
Even though it's been decorated, this theater still needs renovating. Very tight seating, and walking (up or down) the steep stairs is scary [They seem to be sloped downward].
I was in the front of the mezzanine for Guys and Dolls last Wednesday night, imagining a couple sliding all the way down the stairs from the top, losing their clothing along the way and flipping over the railing, each one landing ass up near the front of the orchestra just as the dice were thrown.
I haven't read anyone elses reply so I don't know if I am the 60th person to say this... but the BOOTH!!!!!!! The Booth is like falling apart, LOL. Poor little house!
I have only been in 3 Bway theatre and many many many regional/touring theatre but I think that the Neil Simon and the Nederlander need more leg room god! I had to keep my leg cramped together. the Gershwin was quite comfortable cuz Wicked makes a trillion a day lol :)
Does Studio 54 have an orchestra pit? They said they were going to retrieve the one that had been cemented over from the days it was a disco. Also, do you have to have subscription season tickets at Roundabout in order to sit on the Orchestra floor of Studio 54?
I don't think Studio 54 has a pit, but I'm not sure. I remember them having the orchestra in the boxes for either SITPWG or Pal Joey. You don't need to be a subscriber to get orchestra seats, but it seems like most of the orch seats available are usually in the back or on the sides.
I agree that the Booth needs renovations badly, but I actually kind of like the condition it's in now since it gives it personality. Although the Marquis is in good condition, I wish something would be done to make the interior less boring.
Besides the obviouses (Mark Hellinger, Henry Miller), the Broadway Theatre is kind of a craphole. They fixed it up a bit for Shrek, but it's still very low-rent looking, especially the faded proscenium arch the set barely covers up.
Smaxie: Thank you for the great photo of the early life of what is now called Studio 54. Most people probably didn't know it began as the Gallo Opera House in 1927. The Depression hit this theatre hard and six weeks after the stock market crash of 1929, it was sold in foreclosure. It was renamed The New Yorker Theatre. That too failed and it was taken over by another owner and made into a nightclub in 1933. That's when the theatre seats were first replaced with tables and chairs. This venture also failed and it was renamed The Palladium in 1936 and it functioned as an English type Music Hall. As the Depression raged on, the theatre was taken over by the WPA in 1937, renamed The Federal Music Theatre and renaming back to The New Yorker in 1939. In 1942 CBS bought it and renamed it Radio Playhouse#4 and later Studio 52. In 1976 CBS sold it to Steve Rubell and Ian Schrager who opened it as Studio 54 in 1977, as the famous disco. It was a concert venue after it was sold in 1980. I'm uncertain as to when the Roundabout Theatre became its' owner but it certainly serves their purposes well. I've seem many musicals there and I like its' atmosphere.
On the topic of Studio 54, someone asked why there's no pit. My understanding is that during its time as a TV studio they had to fill it in with concrete so that it could support the weight of the cameras and for them to now reinstall a pit, would require removing the concrete, which is apparently financially too difficult.
Just about all of them could use some seating renovation. As a gentleman of somewhat larger build, it's positively painful to see a show sometimes. I know it's all about squeezing as many people in the joint as possible -- but seriously -- lose 2-4 seats per row and give people some gd breathing room!