#176
Posted: 10/30/05 at 8:52pm
I am in complete agreement with those posters who say that theatre is meant to be seen and enjoyed LIVE and not on tape. I have spent many, many hours with my tail bone parked in a theatre seat and enjoying - no, RELISHING - a live performance and if I had my way I'd be doing it every week. A very few years ago I could look back on my collection of Playbills and know that I had seen every play and musical to open that season! Unfortunately, the pricing of those shows has gradually reduced my time in the theatre to its current low of only 2 shows last season and none in this.
So I agree with the thought expressed above, but not with its application today. If theatre today were truly open to the majority of people, then I say keep it live and never tape it. Unfortunately, the truth is that it isn't available to most people. As long as ticket prices range up to (and past) $100 for most seats, it will never be an option for the majority of people. Don't tell me about student discounts because the majority of people are not students. And don't tell me about standing room because the majority of people are unable to stand for the length of an entire play. And don't tell me about places like TKTS and the cheaper seats in the theatre because seats in the boxes and the far sides of the orchestra and the last row of the balcony will never encourage anyone to ever return to a theatre. Theatre must sell itself to everybody or it will become more and more a slave to those upper-income few who can afford the prices and who determine what is and what is not 'true' theatre. (No more complaining from the intelligentsia here about jukebox musicals and teenage girls in screaming contests over rock stars cast in shows! Unless you’re an upper-level, full time manager with a salary to match, you will simply have no say as to what is produced on Broadway.)
If theatre is to survive and flourish it must be made available to everyone and the only way that will happen is if the plays and musicals are recorded and released for sale to the public. NEVER should this happen while the play or show is running. In fact, I'm in agreement with waiting 3-5 years after it closes before releasing the tape. This will allow the road companies of those shows to also make what they can during their tours*. But after that, release it. The copies of tapes I have are wonderful souvenirs of shows I've seen and want to relive as I watch the tapes. Today they would be my only way of seeing the shows.
(* by the way, tickets for touring shows are also approaching $100.)
So I agree with the thought expressed above, but not with its application today. If theatre today were truly open to the majority of people, then I say keep it live and never tape it. Unfortunately, the truth is that it isn't available to most people. As long as ticket prices range up to (and past) $100 for most seats, it will never be an option for the majority of people. Don't tell me about student discounts because the majority of people are not students. And don't tell me about standing room because the majority of people are unable to stand for the length of an entire play. And don't tell me about places like TKTS and the cheaper seats in the theatre because seats in the boxes and the far sides of the orchestra and the last row of the balcony will never encourage anyone to ever return to a theatre. Theatre must sell itself to everybody or it will become more and more a slave to those upper-income few who can afford the prices and who determine what is and what is not 'true' theatre. (No more complaining from the intelligentsia here about jukebox musicals and teenage girls in screaming contests over rock stars cast in shows! Unless you’re an upper-level, full time manager with a salary to match, you will simply have no say as to what is produced on Broadway.)
If theatre is to survive and flourish it must be made available to everyone and the only way that will happen is if the plays and musicals are recorded and released for sale to the public. NEVER should this happen while the play or show is running. In fact, I'm in agreement with waiting 3-5 years after it closes before releasing the tape. This will allow the road companies of those shows to also make what they can during their tours*. But after that, release it. The copies of tapes I have are wonderful souvenirs of shows I've seen and want to relive as I watch the tapes. Today they would be my only way of seeing the shows.
(* by the way, tickets for touring shows are also approaching $100.)
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mamie4 5/14/03
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mamie4 5/14/03
Updated On: 10/31/05 at 08:52 PM