company vs sweeney todd

See COMPANY any way! Whether or not you loved SWEENEY, they are both productions worth seeing if for no other reason than the Sondheim music and some great performances.

i have to say that the concept worked beautifully (and the best) with the west end's MACK AND MABEL.

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Although I liked the concept with Sweeney, I think it works so much better with the story and themes of Company. It was just a concept in Sweeney, but it has an actual (plot-driven) purpose in Company.

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Adored both, however as many have stated in the past and I will agree with, Company IS a concept show that has always been built around that. So for all practicality, I found Companys concept to make the most sense and work better than it did in Sweeney as fantastic as it was.

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I agree: Sweeney. I think 'cause it's larger than life, it just makes it even more wonderful with the instruments (plus, who doesn't want to see Patti LuPone play the tuba?). It's such a surreal experience as is, but adding instruments on stage just makes the show an experience like no other.

I'm not against Doyle's Company (although I wonder if this is going to become a trend of his - - please, god, I don't wanna see Into the Woods by Doyle!!), yet I agree with the above posts. The instruments distract from the - - I can't say it any better than the above post - - Brechtian portrayal of these people.

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I liked Sweeney much better. I didn't like Company to begin with. It didn't translate for me. I found the performances lackluster with the exception of Esparza. I also couldn't identify with the story and wasn't captured by the music.

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I think the concept worked SO SO much better for Company. I found it to be limiting at times for Sweeney and a little gimmicky, but in Company, which (as mentioned) is a concept show anyway, it makes more sense and has a deeper purpose; I think it's liberating more than limiting.

SWEENEY worked far better (and yes, the Marat reference is a good one; I wonder if that was on Johnny's mind when he started this?). In COMPANY it required such a serious suspension of disbelief that it moved from theatricality to the utterly absurd. Sophisticated New Yorkers doing this? It evokes memories of the old advertising line, "They laughed when I sat down to play the piano".

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attend the tale of sweeney todd.

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"Although I liked the concept with Sweeney, I think it works so much better with the story and themes of Company. It was just a concept in Sweeney, but it has an actual (plot-driven) purpose in Company."

So is Sweeney's. Look at Harold Prince's staging, with the peasants moving the set pieces. The instrument playing is kind of an extention of that.

The original question was which you like better. So to answer that, I loved Sweeney very, very much, but I think I love Company more. For me, that's heavily based on emotion, though, so objectively fairly worthless. They are/were both genius, IMO.

Because they're so different, though, the more important question (as a lot of people have already touched on) is probably really about how the concept work. I think Sweeney was a concept dropped on a show (originally out of necessity), as opposed to a show chosen to fit the concept, which is more accurately the case for Company. The instrument concept in Sweeney had many little moments of brilliance, but the instrument concept in Company creates a big, sweeping conceit (which is probably the deeper meaning that BG107 referred to). There are a lot of cases to be made for a conceit within Doyle's production of Sweeney (for example, that the people in the asylum were engaging in some sort of music therapy), but they're all interpretive; Company's is much more concrete.

For what it's worth, in terms of the written material, I think Sweeney is a stronger piece, but I think Doyle's concept works better for Company. For Sweeney it was a really innovative way to tell the story, and certainly worked beautifully, but in Company, I think it very much adds to the story -- again, there's that deeper meaning. I think, as I've said so many times before, that it drives home in a really beautiful way, how deep Bobby's problem runs. One moment that always sticks in my mind is during The Little Things You Do Together, when everyone is paired off, surrounding Bobby, and he's just sitting in the middle, nearly eclipsed by it all. Sure, you could emulate similar staging in a regular production, but I think the symbolism really helps the show's depth. Theater's about showing, not just telling, and I think Doyle has a very acute understanding of how to do that well.

To the original poster, see it if you're able. You won't want to have missed it when it's gone.

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Updated On: 1/13/07 at 06:19 PM