NLS that may very well be the first thing you have EVER said that I agree with. I was gonna say in my initial post that I would love to see Tune helm the revival. Hell there was a point where I would have loved to see his take on the role, but now I would just settle for seeing him direct it.
Broadway Legend Joined: 5/11/06
I'd still like to see him take on the role and direct it! I think Doyle is going overboard with this. I mean
Sweeney
COmpany
The Rink
Barnum
and next thing we know it will be Gypsy!
Don't forget MACK AND MABEL, which got mostly panned in the UK.
Broadway Legend Joined: 5/11/06
I forgot about that one. Thanks for reminding me!
Stand-by Joined: 4/20/06
This was tiresome with just the one production, now he is directing a slew of them. I don't see Barnum particularly lending itself to this formula. It is no secret why the backers love this directing style. They can cut back on the cast and then pay the actors one salary to double as the orchestra and the scenery movers. God help him if he decides to apply this approach to a production that previously had any conceivable show-stopping dance numbers. I can see the ungainly cast now in a kick-line across the stage while trying to balance all of their instruments on their heads and play them with their tongues.
snore... unless it will make tickets cheaper...
And today, as we discuss this, all up and down Broadway, actors are signing up for tuba lessons.....
Actually, Mack and Mabel did receive a few glowing notices. A couple of my friends saw the production and loved it.
i love barnum...but not john doyle's idea... it just isn't meant to be together
Well as far as the actors go, at least with a Broadway contract, they ARE reimbursed for doubling as the orchestra.
I loved SWEENEY and disliked COMPANY, but I think Doyles approach to BARNUM could work wonderfully if done with some flair.
I'm glad all of you Right Coasters are tired of this concept and won't be filling up our streets and theaters during the run.
I'm looking forward to it and getting good seats for this show.
Thanks!
Updated On: 11/13/06 at 03:59 PM
Broadway Legend Joined: 11/23/05
I was sick of this when I heard he was doing Company.
Plus, won't they have to find actors who can play instruments, sing (and dance), AND do circus acts (like juggling). Talk about about a real triple threat!
What instrument will Tom Thumb play ?
I think the next natural progression would be the actors taking tickets & selling concessions before the show begins
I love his work and I can see how Barnum could work. However, I'd love to see a show of his without the actor-musician concept.
Plus, won't they have to find actors who can play instruments, sing (and dance), AND do circus acts (like juggling).
The Playbill article says only some of the actors will play instruments, probably to eliminate that crossover. Maybe they'll have some people do one and some do the other.
Broadway Star Joined: 3/8/05
I was tired of this from the beginning. I was so sick to my stomach when I saw the Raped version of Sweeney Todd. Discusting. Mr. Doyle borrowed the idea from others who have tried it before him and then tried to say the idea was his. Talk about a one song bird! LOL had to throw that in since every one was using the one trick pony thing. LOL
Lets just take all of broadway and turn actors into cut rate hack musician. ICH
Updated On: 11/13/06 at 06:45 PM
Ugh. I loved Sweeney Todd, but this is just ridiculous. A show like that...
Hate it all you want, but don't say he "stole" it. He didn't steal it, because he never claimed to have invented it or to owned it in the first place. He just took it to Broadway.
I think people who saw Sweeney Todd and have seen Company have to remember that Barnum being produced regionally -- it's not here, it's where people may not have gotten an opportunity to see his other two American productions. And out there, they WANT him to do it. So what if you're tired of it? Someone isn't. This is an opportunity for the West Coast to get a chance to see his work. If it bugs you, nobody's strapping you to a seat, and I don't really see it being a giant issue unless someone tries to take this one to Broadway too.
Broadway Legend Joined: 12/23/05
Leading Actor Joined: 7/31/06
The modern world is all about specialization but it can be intriguing (if perhaps depressing) to see people utilize mutliple talents. It will be interesting to see whom they will cast as Jenny Lind. An Elena Roger strategy could be a clever financial move, granted they can find a multi-talented swedish chick (tough job)
Trivia about Jenny Lind, the Swedish "one-trick" nightingale:
Vocal range: B below middle C to high G,
First performance in the states: New York, september 11 1850
The danish writher HC-Anderson (little mermaid) was in love with her, but she only wanted his friendship.
The only female member in a classical German fraternity
Gave name to and was "model" for the figurehead of the american clipper ship "The nightingale". The figurehead was recently found in Sweden.
Featured on the swedish 50 kronor banknote
From Wikipedia
In 1850, Lind sailed to the United States and under the management of P.T. Barnum, went on a concert tour of a number of cities. Her first American performance was given in New York City on October 24, 1850. The tour was a great success, and it was then that she became known in the press as the "Swedish Nightingale". In Washington, DC during the 1850 tour she was the first performer in the newly renovated National Theater. The "New National Hall" was enlarged to seat 3,400 people for her arrival. The entire police force was called out to keep order in the crowd clamoring for tickets. Congress was adjourned and the Supreme Court Justices attended.
Hm.. that clip from wikipedia contradicts the date of her first concert. But i think the other sources i checked are more trustworthy, for instance the old "painting" shown above.
Updated On: 11/13/06 at 09:02 PM
Stand-by Joined: 5/17/04
Don't forget MACK AND MABEL, which got mostly panned in the UK.
Billy Elliot was praised by London critics and look at what a great show it is. =P
I saw Doyle's Mack & Mabel and LOVED it! I'm curious to see how his production of Barnum turns out. I agree that it lends itself to his style.
This is a great idea! There is a band in the show who performs "Come Follow The Band." I also think it's great because the last time I went to the Ringling Brothers circus which was April, there was no band- the music was canned. I missed it!
Casting for it:
http://www.playbill.com/jobs/find/job_detail/14243.html
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