I think Pippin may resonate as much now (if not moreso) than it did in the seventies with its satiric depiction of war and corruption in politics. Plus, it's a really good show that hasn't been on Broadway for nearly thirty years.
What about Michael Berresse?
Broadway Legend Joined: 4/8/07
While there doesn't NEED to be a female Leading Player, I think it would be incredibly refreshing, especially if it went to Kate Shindle or Leslie Kritzer. If not, there's always Chester Gregory II or Darius de Haas, both of whom would rock! I'd love for Julia Murney or Sara Ramirez as Fastrada! Jonathan Groff would be amazing as Pippin, but I wouldn't mind seeing Barrett Foa!
I think this is an ideal piece for John Doyle to do if you think about how the Players relate to the story. They'd certainly be used more.
Broadway Legend Joined: 4/5/04
I don't think Doyle's actor-musician concept works for shows where choreography is an integral element of the presentation. It's fine for SWEENEY (which has no dance numbers) or COMPANY (which only has a couple, which Doyle eliminated). Even if you don't use the original Fosse choreography in PIPPIN, I can't imagine all dancing being eliminated and the piece still working. And if you do keep the dancing, could you really expect a dancing/singing/acting chorus to also be your orchestra?
Good luck casting that (triple threats who are also professional musicians?). And -- outside of maybe the circus -- are there people who can actually do strenuous dancing AND play instruments at the same time? Could you actually find a dozen or more of them?
Could we keep Doyle away from PIPPIN, PLEASE???
Amen, lady...Amen!
PIPPIN is so high concept that I'm having a devil of a time thinking of the right director/choreographer that could pull this off.
Tune, maybe?
Broadway Legend Joined: 4/5/04
And also, PLEASE NO WAYNE CILENTO!!!
Graciella Daniele might be a thought (Fosse was her mentor after all), though I've been mostly unimpressed with her work over the years.
Broadway Star Joined: 1/17/06
Ok, Kate Shindle as the Leading Player was the most brilliant suggestion I have ever heard here. She would be amazing. And I agree that either Groff or Arden would be great.
And can we just keep Doyle away from musicals, period.
I think Kate Shindle and Kritzer are lovely, talented women?
BUT AS THE LEADING PLAYER?????
If we are going femme, let's get Heather Headley back to Broadway.
Or Chandra Wilson. Apparently, she was fabulous in NYU's PIPPIN (as the Leading Player) many moons ago.
Understudy Joined: 7/30/05
Broadway Legend Joined: 4/5/04
Porter would be fab.
Pippin is such a wonderful show because you can basically do anything you want with it. If it is revived I would love for it to look nothing like the original production.
When I did it in high school (2002) our director did a 1902 meets 2002 concept. The idea of an early 1900s traveling carnival/freak show (think HBO's show Carnivale) infused with costume elements from 2002 (a lot of the costumes pieces were bought at places like Hot Topic.)
At the introduction of every character there was a huge 8 foot tall poster of the character that looked like an old carnival poster with something like "Charlemagne the Great" printed on it. I could go on but you get my point.
Since the show revolves around a group of traveling players telling the story of Pippin, there are ENDLESS possibilities to productions of Pippin.
I would LOVE to see a well made revival!
Updated On: 12/6/07 at 12:16 PM
Yes, Tim Curry!!! Woo Hoo!!! I will be there!
Understudy Joined: 11/8/07
yeah, SHindle could sing the hell out of it, but the leading player is also a fierce dancer, which Shindle is not.
I like the Headley idea, but can she handle the dance? that is the question.
now Porter is a great suggestion, while his riffs may be a little over the top. He would be the closest to appropriate, however.
amen to Margo- no doyle, but Danielle could really do something with this, add real atmosphere to the piece, and bring great ideas. IF it Had to depart from the Fosse-ography, I could def. see hers as an able replacement.
Broadway Legend Joined: 11/23/05
"Cheyenne Jackson would be great as Lewis!"
No! Lewis is practically a non-singing role. It is an absolute waste of Cheyenne Jackson's time and talent.
And please...no Lillias White to gospel up the role of Berthe.
Broadway Legend Joined: 11/23/05
Her name hasn't even been mentioned yet on this thread? Or has it?
I would love to see a Julie Taymor concept for this show.
and Kelli O'hara as Catherine.
Broadway Legend Joined: 4/5/04
What Taymor might do with this material is fascinating.
Featured Actor Joined: 11/27/04
Come out of the shadows to weigh in.
I'm a big proponent of Michael Arden as Pippin. I would love to
I love Billy Porter as The Leading Player, though Darius DeHaas intrigues me too. The Raúl suggestion is interesting, but I can't really picture it. Personally, I've never been a fan of female leading players. I don't like the sexual tension it creates between Pippin and TLP. Not that there is anything wrong with sexual tension, but I just don't like what it brings to their dynamic.
Taymor would be a great choice for directing this, but I also think a re-imagined production using Fosse's style could still work if it were darker than the colorful "circus" look of the original. (Which is something the revival of Chicago did quite well)
I really liked the Goodspeed production. The aerial dancing in the fabric was beautiful and the production totally worked for me.
Taymor was my second thought about a new approach to the show but it seems like the revival will be all about the choreographer.
From what little I have seen of it, I am hoping to see this come to a stage very soon.
Another vote here against Doyle. I want dancing. The more, the better, please.
I like Jonathan Groff just fine, but please STICK WITH MICHAEL ARDEN!
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