Is Susan Egan's version of "Cabaret" in the original key on her solo album "So Far..." or is it the lowered version she sang in the revival?
I don't WANT to live in what they call "a certain way." In the first place I'd be no good at it and besides that I don't want to be identified with any one class of people. I want to live every whichway, among all kinds---and know them---and understand them---and love them---THAT's what I want! - Philip Barry (Holiday)
Interesting topic. I've always wondered how willingly an arranger or music director would transpose a song, mainly if it was a segue from a previous musical piece. This could cause a lot of awkward modulations in any show. But, I'll put in my two cents. In the "ITW" revivial, in addition to Mary Louise, I seem to recall that huge chunks of the Witch's music was dropped for Vanessa's mezzo-alto voice.
...And so, there I was at the stage door for "Equus". The enthused avalanche of "Harry Potter" fans was literally pushing me into the barricades. As I was thrust face-first into Daniel Radcliffe's hat, I suddenly felt the thumb of a lanky gentleman behind me pressing firmly into my back. It was then that I realized that both of his hands had Playbills, and that both arms were outstretched in front of me...
I forget if the score was lowered or was made higher for Colm Wilkinson when he got the role of Valjean in Les Miz. But the score was altered just for him in some way.
With regards to a comment made by a previous poster regarding Howard's keys being raised in Phantom, I don't believe that to be true. I don't believe they've ever altered the Phantom's keys in any US/Broadway production of the show. I know Crawford's original replacement, Timothy Nolan was a phenomenal bass-baritone and went into the show assuming Webber would lower the keys to suit his voice, but the production flat out refused to do anything of the sort and he went on to sing the entire score unchanged. In an interview I read, Nolan described the period as being terribly frustrating and miserable. Perhaps a real Phan could shed more light on this?
I know all of Nathan Lane's songs were lowered anywhere from a half-step to a whole-step lower (depending on the song) than the original key.
oy i'm glad its a regular practice professionally...unprofessionally they forced me to hit notes in LES MIS that i could never hit and i did some damage...
I'm pretty sure a few songs were lowered for Scary Spice in Rent. It didn't help her much, though.
And also, I don't think they lowered ALAYM for Joey Mac and Taye, I think they just changed the notes he sang so that it was a different harmony...
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--Reefer Madness
I read the same Timothy Nolan interview as you, I believe (actually, that's where I got my icon--it's Nolan as Sweeney Todd). I imagine that if they weren't going to change the keys for someone who was completely the wrong voicetype for the Phantom that they certainly wouldn't do it for someone who could sing it comfortably.
I am pretty sure they changed the keys for Uma Thurman in The Producers movie, and for Rosairo Dawson in the RENT movie too. And Sarah Jessica Parker in Once Upon a Mattress they re-orchestrated the whole score for her.
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I dont think Howard McGillin had the keys raised. I mean the A flat top note sits about right for either baritone/tenor performers. Perhaps its just a case of Howard's vocal timbre "tricking" you into thinking its higher? Listen to his I Wont Send Roses on the London Mack and Mabel. They either added a modulation near the end or its such a contrast between his voice and Robert Preston.
There are alternate harmonies or whatever in As Long As Your Mine. They even print them in the sheet music. However I believe they wrote the big "dancing through LIIIIIIFFFFFFFFE" down from a top A to a F after San Francisco.
Is Benjamin really singing in a lower key for Sweeney? Anthony is not exactly tenor range! Victor Garber was the original right? From what it was in the UK tour recently and from listening to the cast recording I cant say I notice a change. However I stand to be corrected and not betting my life on it!
In regards to Betty Buckley singing the lowered keys in Sunset Blvd., I recall her saying (although I may be mistaken, it's been known to happen) that singing the lowered key wasn't exactly her idea and that she could definitely sing the original key (why they didn't let her do it is beyond me).
And as for Benjamin in the Sweeney revival... I'm not incredibly familiar with the recording for the revival, but yes, Victor Garber was the original Anthony. And having just done the show as Johanna, I'm more than familiar with the Anthony music and at some points, it is tenor stuff. Not as high as Tobias, Beadle or Pirelli, but it still sits relatively high. That being said, I know that Anthony's Johanna is given in 2 key in the score, so the actor playing Anthony (along with the production team) can choose which one sits better. So it's fully possible Benjamin is singing a different key than the original recording, but it has in no way been lowered for him specifically.
I remember when "Live From Lincoln Center" broadcast "Little Night Music" with Regina Resnik as Madame Armfeldt. In an interview, she commented on how all the reviewers commented on her "whiskey baritone" with "Liasons."
She wondered that maybe next time they could raise the key of her songs, as you would wonder if you could get the Pope to perform your gay marriage. And I remember thinking that they lower keys all the time in musical theater, it's just in opera that they rarely do...
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They def did NOT change the keys for Rosario in the movie... I mean if you can't hear that the keys are the same on your own, then play the songs simultaneously or one right after another and you'll see...
"You know, a little orphan girl once told me that the sun would come out tomorrow. Her adopted father was a powerful billionaire, so I supressed the urge to laugh in her face. But now, by gum, I think she might have been on to something!"
--Reefer Madness
Are you sure? I thought I remember reading somewhere that "Without You" was lowered half a step, and I think it's the only song that was lowered. Listening to the OBCR and the Movie Soundtrack simultaneously you can hear that Rosario's singing lower.
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I am no musical expert, but I once sat down by my piano and matched Christina's notes on the piano, and then Gwen's notes. At times Christina was just like a half-step/whole step up from Gwen, nothing major.
Christina may have sang the keys originally written (not sure), but she definitely didn't sing all the Verdon keys.
Some of the songs were definitely transposed up for Applegate - "I'm The Bravest Individual" for sure - in my musical theatre class last semester two of my good friends did the song and she practiced with the Applegate recording, but the piano music was in the Verdon key and she had issues till' she got the OBC (which will benefit her in the long run, being one of the best recordings of anything ever.).
When Ella Logan was in "Finian's Rainbow" everything was WAY lowered.
And, as I think someone said earlier, every Dolly I've seen has sung the songs in a different keys, though on some songs the keys are the same, for ex., when I saw Victoria Clark do Dolly, she sang the Streisand version of 'So Long, Dearie', 'I Put My Hand In' in the Mary Martin key (whose apparently are the standard?) 'Motherhood' in Channing's key, etc.
On the recordings I've heard, Patti LuPone, Eileen Brennan, and Ethel Merman all sang the "Anything Goes" score in different keys.
thejcm, you are totally right! sorry about that. when i listened to them, i forgot about without you. but yeah, it sounds like it's a half step lower.
"You know, a little orphan girl once told me that the sun would come out tomorrow. Her adopted father was a powerful billionaire, so I supressed the urge to laugh in her face. But now, by gum, I think she might have been on to something!"
--Reefer Madness
A few weeks ago, Betty Buckley was on sirius and she told the story of Sunset Blvd, and as dancnqn5 said, they lowered the keys for Glenn and kept them the same for Betty