Taz, the music remains, but the lyrics and tone of the song are now different.
Gallagher has never had a great deal of vocal stamina (remember how he needed to use a microphone in Noises Off, when every other actor who has played that part has been able to project from the back of the house?); perhaps he or the director knew that he wouldn't be able to successfully deliver a big number that late in the evening.
Is Jim Walton an unlisted standby for Gallagher? IBDB doesn't identify him as understudying anyone. It would be ... odd?... to have someone like Walton doing nothing but the Conductor/chorus.
He seems to have become the go-to standby for the Roundabout, hasn't he?
I'll be seeing this in 2 weeks. Nice to read everyone's thoughts on the show. I'm a bit disappointed to hear the orchestra is on the small side, especially for this score. I wonder who else was considered for Oscar. Considering that Doug Sills was involved with the concert version several years ago, I'd really like to see his as Oscar.
Any update on the running time? Is it still 2h30m?
It's been tightened up a little- maybe 2h20/25min.
James Moye is listed as the Oscar understudy in the Playbill; Jim Walton seems to only be playing the Conductor with no understudy/standby duties.
I really love Jim Walton and am always glad to see him working. He adds so much, even when playing small roles like this. I remember at a MUFTI performance the elevator got stuck (with people in it?) and they had to hold the curtain for over 40 minutes while the fire dept got it working again. Walton came out and serenaded us already in the theater, accompanying himself on the piano. He sang a lot of Merrily and told us stories about Sondheim, the rehearsal process and reaction to the show's reception. I don't even remember what MUFTI it was for, but I won't forget his impromptu cabaret act!
I was there last night and enjoyed myself, thanks in large part to Ms. Chenoweth. She is making a bright star turn in a role that she is simply perfect for. I've never seen a production of OTTC, but know the recording well.
What a great but very difficult role! Cheno is wonderful vocally, but even better physically. She throws herself, literally, into the role and is very funny. I wish I had seen Kahn, a comedienne I adore, to make a comparison. Kaye as well.
Unfortunately, that is where the rave ends for me. Again, I wish I had seen the original to see what Kline, Cullum and Coca did on that stage. First and least impressive was Gallagher's Oscar. He made decent acting choices, but Oscar needs to be charismatic and he just fell short. He was in very shaky voice and off pitch frequently (He has always sounded underpitch, even as a younger man in "A Dolls Life" and "Guys and Dolls"). Mr. Karl was serviceable, but still has his timing off a bit to really put the very physical role over. I adore Ms. Wilson, but I feel she just came off as old, not dotty, or nutty. It simply wasn't as funny as it could've been, imo. "She's a Nut" just wasn't funny, even with some of the sight gags.
The sets were nice and the costumes lovely, and McGrath and Linn-Baker were both as good as they always are.
My biggest problem, as others have said, was the slight orchestra. I couldn't even hear the first several bars of the overture.
I was disappointed, but hopefully it will become sharper, which will help a great deal. I kept thinking of the precision of "Gentleman's Guide" and how Chenoweth was delivering and the rest seemed a few beats behind.
"I wonder who else was considered for Oscar."
Hugh Jackman did a reading for it a few years ago.
I didn't see Sills in the concert version a few years ago, but I can only imagine how great he was, and what a match he would make for Chenoweth.
Broadway Legend Joined: 5/11/04
Sills was fantastic--not only in great voice but oh, so over-the-top bombastic/funny, just what the part calls for.
Featured Actor Joined: 2/24/07
Thanks for posting the link to the commercial. I saw the original. I love how Kevin Kline is not even mentioned and he probably went on to be the best known of the cast.
Looking forward to seeing this next month!
Whizzer thank you for your excellent review! Still excited to see this on 20/03.
Would love to hear if any changes are made during previews or is this pretty much set in stone?
I think part of my Gallagher adoration comes from the fact that I was seeing my dream father (Sandy Cohen on THE OC) onstage. (I do love my actual dad, though.) I'll admit that Cullum is irreplaceable vocally, but he did a fine job, and his hair was appropriately Barrymore-esque. Still wish he had a decent "Legacy" though...
I've only ever sat in the last few rows of the orchestra for this theatre. Would I be craning my neck if we sat front row?
James Moye is an odd but perhaps interesting choice. Anyone remember him from "Far From Heaven" a few years ago, with O'Hara and Pasquale (I still like the score, but never mind). He played one of the smarmy friends/co-workers. He's not a traditional leading man, he's sort of round and blustery, but has a big voice, considerably bigger that Gallagher's. If he goes on, and he might very well, I bet the score will at least sound damned good.
Was at tonight's performance. At about 8:10 KC and someone who looked like the stage manager strolled out and announced Peter Gallagher was so sick he couldn't talk even, so he couldn't go on. And then they said he has an understudy but that since it was their first week of previews, the ripple down effect would put the cast "in danger." I'm not sure what kind of danger? So they canceled the show and sent us all home!
Big bummer for someone like me who bought this hiptix month ago and made a long (and not cheap) train commute in today. Kristen at least sang "Smile" for us and they performed the porter tap number from the opening of the second app.
We're all getting refunds / exchanges apparently. I'm just worried I won't be able to get another hiptix ticket equivalent because of availability, but we'll see!
Of course anyone can get sick, but in light of some people's questioning whether or not this show will be too vocally demanding for Peter Gallagher, this could be potentially troubling. I would assume the matinee show tomorrow will not happen either. At least not with him.
That was Scott Ellis, the director.
Chenoweth sang Chaplin's "Smile," very humorously, and the porters performed "Life is a Like a Train."
As a young parent taking advantage of a rare opportunity to have a night out, I was enraged at the way this was handled. Surely, they could have decided even 20 minutes earlier so we could have gone to see a different show (perhaps the other comden and green show next door?). Mr. Ellis never even actually said the show was cancelled and there was very little sympathy or courtesy to the hundreds of people that made arrangements to get to the theater that evening. I've never seen anything like it.
Wow, it sounds like quite an unusual performance (or lack thereof).
It was very odd indeed. Apparently people who worked at the American Airlines didn't even know until it was announced to us in the audience.
I bet they were working down to the wire to try and have the understudy go on, and finally decided it just wasn't feasible.
^ I hear he made an attempt at during vocal warm ups but he was not able to hit notes and or sing as he is sick...I guess the first week of previews has really put strain on his voice and now being ill doesn't help as the understudy was not ready.
Broadway Legend Joined: 7/22/03
It's Madeline all over again. I can;'t have it, I WON'T.
Well, this is the first time I've ever seen a train derailment.
I'm NOT intentionally speaking ill of Mr. Gallagher, BUT...
With the buzz not exactly being "all that kind" coming out of the first week's worth of previews, could we (possibly) see a replacement in the works? I just get this sinking feeling that we're going to have another PAL JOEY situation on our hands.
Updated On: 2/22/15 at 02:46 AM
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