Thanks, Luciscious, for reminding us of the Cronenberg CRASH. Yikes, I'll never forget that. Saw it the first night in NY, with an East Side audience (Sutton?) that literally squirmed. And this was in hip NY. It was one of the most audacious stories ever told, I'll never forget the way it creeped me out.
(SPOILER:) The sequence where the cult "audience" sexually aroused by accidents and their mystique lined up to see the re-enactment of the Dean death (do I remember correctly)? And Holly Hunter taking huge personal risks as an actor. And that Canadian actress, whose name escapes me. It was unlike any story ever told on screen. I sent two people to see it, and they never forgave me! Ha! .
But the new CRASH, effective though it is in places, is really more of an attempt at a darker GRAND CANYON. And as for LA based ensemble films, I still think MAGNOLIA had more depth and artistry.
Jerby, honestly, my bias against the current CRASH isn't quite as severe as you opine. I was a fan when it came out. A 2nd viewing just hasn't revealed lasting resonance.
BUT: Let's keep our eyes on the British Academy Awards tomorrow night. Very interesting to see if there's an upset there. There's a projection there, quite fascinating, at Oscarwatch.com.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 2/18/06 at 06:15 PM