Hard question because it can be interpreted in so many ways. Some shows are more important for composers to know; others are more important for librettists to know, others for producers to know; others for, respectively, designers, aficionados, performers, investors, scholars, etc.
Some shows people should know well because they are so damned good and illustrate what the form can do at its best. Some shows people should know well because they are extremely successful. Some shows people should know well because they were truly innovative. Some shows people should know because they are deemed innovative, which is, in many respects, as important as being truly innovative. Some shows people should know well because of why they failed artistically. Other shows people should know well because of why they failed financially.
And I could go on and on.
One thing's for sure, though. I'd have trouble reducing the list to 20.
Updated On: 4/6/14 at 11:41 AM