@fashionguru_23: Good question! I can only speak in general terms, as it will vary from venue to venue, and there are over 300 venues in the US that will present at least one show this current season. Many of the major venues here in the US will have an anchor show (i.e. a show that will stay for longer than a week: e.g. Wicked, Hamilton, Aladdin) and build around that. Major venues, in states such as California and Florida, will typically have multiple shows play back-to-back in-state. For example, Hello, Dolly played in Miami, then Orlando, then Tampa, then West Palm Beach. This makes sense from a logistics standpoint. Another trait is that the top five-to-ten major cities (e.g. L.A.'s Pantages, Denver, Charlotte, Chicago) will play a majority or almost all of the first national touring productions in a season ("new" shows as well as "new revivals"
. (Chicago will have multiple shows going at the same time but in different theatres, as is the case right now.) It's also typical for a majority of the shows that play in cities like L.A., San Francisco, and Chicago to have longer engagements. I hesitate to say that a venue HAS to schedule a certain amount of revivals/new revivals in their season, but they probably try to balance things out with the new shows as well as what's available. One final trait for the major venues, that I can think of, is that almost all will present a new show within the first two years of the tour (if it lasts that long). So, for example, if your venue didn't get Dear Evan Hansen this season, and you typically get newer shows, it will most likely come the following season, which definitely tests people's patience! For venues in mid-major markets, they typically present anywhere from one to five/six shows that are in their second, third (or older) year touring. Their engagements typically last anywhere from one to six days. Every once and a while, a major-market venue will present an older/non-anchor show (e.g. Jersey Boys or Chicago), which can throw a curve at us who like to predict the seasons (!). Touring Broadway holiday shows aren't a necessity for venues to present as there are fewer shows available and they have a short lifespan (typically mid-November through December). I haven't noticed any trends in the makeup/demographics of the shows (family-friendly, mature-audiences), but I'm sure that venues try to balance things out to appeal to their audience. I'm sure others can contribute more traits that'll be better and more specific than mine, but those are the ones I've observed. Cheers!