As usual, it's a little different to watch the telecast when you've seen the shows. A few thoughts:
- Ephraim Sykes may have been trying too hard in the Ain't Too Proud performance, which suffered at first from him getting too caught up in extra dance moves to sing. He was my favorite performer in the show when I saw it at the Berkeley Rep, and I also enjoyed the choreography. So I'm not complaining that it won in that category. (I didn't see Kiss Me, Kate so I can't compare.)
- The Tootsie performance was OK, but the problem there is simply that the song isn't one of the better ones. Santino Fontana's character has no good songs.
- The Beetlejuice performance was amusing with its rewritten lyrics, but I'm not sure it changed many minds. (I didn't see it.)
- The Choir Boy performance and description both made me more interested in seeing the show if it tours regionally.
- Oklahoma! managed to pull off the always-tricky medley, featuring its two standout performers and going for the rousing/funny instead of the beautiful or disturbing. As a marketing decision, that makes sense. More tourists are going to be in for a surprise.
- The Prom also pulled off a medley and made Tootsie seem staid and dull by comparison. They're not trying to hide the ball from anyone who might be turned off by a teen lesbian romance. In fact, the telecast made it seem steamier and emphasized it more than happens on stage. Then again, the producers don't have much to lose. The show isn't doing well but already is going to be made into some sort of movie.
- I am curious about the reactions to the Hadestown performance from people who haven't seen it. I'm not sure it was the right choice or one that plays as well on television as in the theater, but it does convey some of the ambience and atmosphere of the show. It was a bit weird to see Patrick Page and Amber Gray on stage and then exit without saying a word. (I understand why they didn't use Wait For Me II, which gives away too much of the story.)
- Kiss Me, Kate played to what I understand are its strengths.
- The Cher Show performance did not make me regret missing it, and to be honest, made me wonder if Eva Noblezada should have won in that category.
Overall, the telecast was flat, bland but insular (which made me laugh at Bryan Cranston's opening line).
I was expecting Hadestown to win and was relieved it did. At least the best musical won.