I saw the show last night, and I must confess, felt very much in a "show me" mood. But I was deeply moved by the impact of the new stars, whose interpretations, to my thinking, have significantly altered the way the entire production coheses and drives and resolves. Peters seems born to play this role, which I hadn't expected. Her chemistry with Hanson is lovely -- they are a handsome, believable couple. She is so ideal, the only thing missing is a first act number (in this production, you are suddenly startled that Desiree doesn't sing during "A Weekend Inthe Country." I almost wish they could interpolate a verse for her in place of the vignettes with her daughter...but that's show queen-y fix it stuff; this musical doesn't need my help).
I think the new stars have turned this production upside down. It plays like another show. I hope Stritch holds up -- her work is revelatory.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
I saw the show again this afternoon (the first time I've ever seen a show twice within a week's span), and it was stunning as ever. Peters seemed to be holding back a little, but was still brilliant. Stritch didn't flub once, and Mallory and Larkin shined particularly brightly today.
Bumping this for opinions on performances over the last couple of days. These are the performances that the critics will be attending, so I interested to hear folks' opinions. Thanks.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
Quick Question! I do not know if this was posted in this long thread, lol, but since ALNM technically closed until Peters/Stritch had a first preview, and they are having an opening night tonight, could just the two actress be Tony eligible for this season's Tonys? Just the same as CZJ and Angela Lansbury except no Best Revival nomination. Thanks!
Bernadette was on fire last night. A truly beautiful, raw, emotional performance. I can't remember the last time I heard a performer so connected to the text of "Send in the Clowns". And she and Hanson are so perfectly copacetic during "You Must Meet My Wife".
Elaine still misses a line here and there, but it's really nothing major. I know the script like the back of my hand, which is the only reason that I noticed; I'm sure someone unfamiliar wouldn't notice at all. She covered herself very well. Now that she has her lines in order, she's been able to carve out a fully committed performance. "Liaisons" is a mini-master class in how to act a song, and she's stunning in the book scenes. (She ad-libbed a couple of really funny lines last night as well, particularly in her first scene.) Her performance in Act II is everything you could want from a Madame Armfeldt.
The supporting cast just is what it is. Hanson is perfection; how was he not nominated for a Tony? Erin Davie now gets all the laughs, and deservedly so. Brava to her for making the character her own, rather than hueing to Nunn's ridiculous interpretation. Bradley Dean was on for Carl-Magnus (does Lazar ever perform anymore?) and didn't have a particularly good night vocally. Lots of straining. I've heard him sing before and know that he has a big, beautiful baritone voice, so I'm going to assume that it was an off night. Hunter Ryan Herdlicka and Ramona Mallory still grate me. And Leigh Ann Larkin...no.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
We saw it yesterday afternoon & La Cage has to be out of this world to have beaten this as Best Musical Revival
Bradley Dean was in for Lazar & I cannot image Lazar being any better. Frid was understudied as was the daughters role.
I cannot comment on the previous cast but Peters & Stritch were tremendous. Both really got into their roles & Peters doing Clowns & Stritch doing Liasons some of the best numbers we have ever seen performed. The small orchestra surprisingly was hardly noticeable. You could actually hear every word of the lyrics. Too bad this cannot get recorded for sale to the great unwashed masses such as all of us. Much has been said about standing ovations. Normally when this occurs a few get up & than more do with some feeling obligated to do so. I have never seen a standing ovation where the entire crowd got up as one as soon as the lights came back on.
An after dinner visit to Tricolore was the perfect ending to the day.
Sondheim has always been supportive of his shows being filmed, and since he suggested Peters and Stritch, and if the reviews are as glowing as we expect, maybe?
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
I'd settle for a new cast recording, a la Vanessa Williams in SPIDER WOMAN.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Katherine was on last night and she usually does Saturday matinees. Maybe she and Keatton reversed their order yesterday...?
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"You just can't win. Ever. Look at the bright side, at least you are not stuck in First Wives Club: The Musical. That would really suck. "
--Sueleen Gay
Without trying to jinx anything, I believe that the reviews will be very positive (and yes, I've seen the new cast.) But my impression is based on what so many people are saying who have gone back to see the new stars. But, at least in terms of ticket sales, I think that the only review that really matters is going to be Isherwood's in the NYT, which should be on-line tonight. Thought Ben B. did the official Times review of the revival after it opened in December, Isherwood made his thoughts pretty clear in a pre-Tony column, where he referred to the production as "rather crass." So, the hope is that he, like so many others, feels there has been significant improvment. And that applies not only to a comparison of the new leads, but to the improvement of the rest of the cast, which to me has been very obvious.
CZJ at opening night party for A Little Night Music, Dec 13, 2009.
Lazar was out again, but the understudy was just as fantastic. Bernadette received much love from the audience. Her rendition of "Send in the Clowns" was a lot heavier than Catherine Zeta Jones's. Actually, her performance as a whole was. Jones was very sexy and jesting Desiree, and Bernadette gave a much different sort of weight to the part. Both great performances, but very different.
Elaine Stritch was salty as ever- seemed to do generally alright with lines. She fumbled a bit when describing the dessert wine in the dinner scene, but picked it up again before it was too noticeable. I wasn't a much fan of her "Les Liasones" though. It wasn't awful, but I did much prefer Angela's. Stritch shone most in her conversations with Fredrika when the humor could come out.
"Are you sorry for civilization? I am sorry for it too." ~Coast of Utopia: Shipwreck