>"The reviewers are saying the things I said.
Bernadette LOOKS great. But this is not about looking great, it's about the acting...and the depth just wasn't there.
Peter's "Clowns" is her best effort in the show, yet, she was playing Bernadette Peters, just like Stritch was playing herself."
>
No, SOME reviewers are saying similar things to you. Don't pretend it's a consensus.
Have you missed these comments?
http://www.hollywoodreporter.com/hr/film-reviews/a-little-night-music-theater-review-1004107085.story "Peters also displays an aching vulnerability that the younger, stunningly beautiful Zeta-Jones couldn't quite convey"
"Stritch, too, manages to bring shadings to her role that eluded even the great Lansbury.....though her turn does indeed generate huge laughs, they are well earned and strictly in character"
http://www.backstage.com/bso/content_display/reviews/ny-theatre-reviews/e3i397236cd72a25e4865c1e58ef43788cd "The unquestionable highlight of the evening is Peters. This is without doubt one of her finest stage performances. Impetuous, delicate, earthy, sardonic, willful, sensual, loving, and shatteringly vulnerable, her Desiree is endlessly enchanting and completely believable as a combination of scattered diva, caring mother, battling daughter, and enthusiastic lover. Peters does bring some of her trademark mannerisms to the table, particularly some kewpie-doll line readings, but they are always used organically, in service to character....Her playing of Desiree’s reunion scene with Fredrik is remarkably layered "
http://www.newjerseynewsroom.com/movies/elaine-stritch-and-bernadette-peters-make-beautiful-night-music-together "stage-seasoned Peters effortlessly imbues Desiree with a glow that warms the cool nature of Hugh Wheeler's story. She's exquisite in every radiant way."
"What a difference a diva makes. Bernadette Peters steps into the six-month-old revival of "A Little Night Music" with a transfixing performance, playing it as if she realizes her character's onstage billing -- "the one and only Desiree Armfeldt" -- is cliched hyperbole. By figuratively rolling her eyes at the hype, Peters gives us a rich, warm and comedically human Desiree,"
http://www.variety.com/review/VE1117943265.html?categoryId=33&cs=1#ixzz0vQyjV6JU "Peters, absent from the Broadway stage since the 2003 Gypsy revival, makes a triumphal return as Desiree Armfeldt, the actress wearying of playing Ibsen on the road. She brilliantly shows the signs of that gathering tedium -- just as she conveys Desiree's ironic view of everyone with whom she comes in contact, including herself."
http://www.theatermania.com/broadway/reviews/08-2010/a-little-night-music_29204.html ""Isn't it rich?" she asks as the actress Desiree Armfeldt in "A Little Night Music," her sarcasm dampened by deep sorrow at the realization that in life and love, timing is everything. "Isn't it queer? Losing my timing this late in my career?"
Well, maybe Desiree has lost her timing. But not Peters."
http://abcnews.go.com/Entertainment/wirestory?id=11302213&page=1 Peters creates a multifaceted woman strong enough to anchor Sondheim's bittersweet comedy about romantic entanglements. She is the axle around which the show rotates, and her presence is felt even when she isn't onstage.
"
Give me claws and a hunch, just away from this bunch.
Updated On: 8/2/10 at 04:19 AM