A Sondheim rhyme that bothers me — Page 3
Posted: 10/29/11 at 6:58am
That doesn't bother me. It's in a "Musical Hall" style, which definitely plays to the audience. That's the way her character was written. She does it all through the show, with both dialogue and song (particularly Little Priest and By the Sea) and Lansbury played it that way originally.
It only comes off odd to me when the director and actress try to approach the character in a different style, ignoring the fourth wall (the "Music Hall" audience) entirely. Then this lyric and many others seem self-aware.
blocked: logan2, Diamonds3, Hamilton22
Posted: 10/29/11 at 8:39am
So high?...... As compared to whom? -- Larry Hart? Ira Gershwin? E.Y. Harburg? Cole Porter?
I don't think so.
You're a bright guy, Eric. Too bright to be mouthing party-line platitudes with no basis in fact.
Posted: 10/29/11 at 9:40am
EricMontreal22, my memory is that fleas were a huge problem everywhere people kept animals (including pets) until the invention of modern flea collars, etc. (My memory goes back to late 50s, though I was a kid and not an expert on the West Side slums of New York.)
Yes, SWEENEY TODD has music hall-style numbers and Sondheim takes liberties appropriate to the form. Particularly in "Try Priest."
Which is only one reason I don't think we should take too literally Sondheim's oft repeated dictum that "rhyme always indicates intelligence and education." See LI'L ABNER, for example. Characters--particularly in comedies--have been using diction (including rhyme) beyond their realistic capabilities for centuries.
It's a nice convention that Sondheim and Harnick inherited from Hammerstein: uneducated characters don't speak or sing like they are at one of Cole Porter's cocktail parties, but it's just a convention. Musical theater (from low comedy to opera) isn't realistic in any form.
Posted: 10/29/11 at 9:41am
You have set them all on fire
They think they've found the new Messiah
You've gotta be from a very specific part of the UK for that to rhyme cleanly, and last I checked, Judas wasn't. (Then again, he spoke Aramaic, but I think that would make his English-speaking accent neutral.)
Posted: 10/29/11 at 9:48am
Or just be a rock & roll or pop singer from any country. I don't think any of them would pronounce a hard "r" at the end of the word "fire."
It's not like "clerk" being pronounced "clark."
blocked: logan2, Diamonds3, Hamilton22
Updated On: 10/29/11 at 09:48 AM
Posted: 10/29/11 at 10:25am
Someone from the UK may want to chime in, but I don't think this is quite true; I think they rhyme in Received Pronunciation (BBC English), and in many dialects in England.
Also, a "neutral English accent" would be a rather tough thing to pin down!
Posted: 10/29/11 at 11:37am
I'd tend to say fier to rhyme with messier, although whether that's just lazy diction I don't know. I'm not sure who would say fiah apart from one from the 1930s upper classes.
I guess Elaine Stritch is perhaps not the most reliable of witnesses!...
Posted: 10/29/11 at 12:05pm
Is so much more demur-ah?????????????
Posted: 10/29/11 at 12:07pm
I've always thought that Mrs. L, after describing the texture of the pies and what they look like, simply can't think of anything to describe how horrible they taste.
Posted: 10/29/11 at 12:21pm
Is so much more demur-ah?????????????"
Oh, come on. That's genius! It's a character rhyme for a stripper most definitely from New Yawk, with thick accent. And it's damn funny, too.
Next you'll be wanting to correct all grammar:
"I Am Not Misbehaving" by Heavyset Waller.
blocked: logan2, Diamonds3, Hamilton22
Posted: 10/29/11 at 12:29pm
Now I'm Miss Mazeppa?????????????
Posted: 10/29/11 at 12:33pm
The correct lines are:
Keep aWAY from her. (rest)
Send for CHI-no!
The is NOT the Mar- (rest)
Ria WE know!
When you put the words on to Bernstein's syncopated music it scans perfectly.
Posted: 10/29/11 at 12:44pm
Posted: 10/29/11 at 1:25pm
I guess I exaggerated a bit, though I guess I didn't think "Fi-uh" was so common amongst British speakers.
Also, a "neutral English accent" would be a rather tough thing to pin down!
By neutral, I mean standard, TV-reporter American, obviously :)
I'd tend to say fier to rhyme with messier,
You'd pronounce Messiah with an "er" at the end? That I've never heard...
Posted: 10/29/11 at 4:36pm
"Boys, that's just great. But next time, don't be so clever — "
me thinks even Sondheim gets into being so "clever"...and i say BRAVO!...otherwise what would you not-quite-as-successful song writers have to critisize?...hum?
Posted: 10/29/11 at 4:37pm
Think of it as thrift,
As a gift,
IF YOU GET MY DRIFT!
It sounds so modern, it takes me out of the show. Did people in mid-19th century England really say "get my drift"?
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Posted: 10/29/11 at 4:51pm
They think they've found the new Messiah"
It sounds great if you're doing a production in Newport!
Posted: 10/29/11 at 4:55pm
Moreover, even if it were more contemporary, artistic license would seem to excuse it (and many other examples cited her). Lyric writing is often sublime when it's dramaturgically flawed.
Certainly anybody as prolific as Sondheim is bound to have some clunkers. Although this thread is fun, many of the examples here are either simply great, ideal for their characters, or both ("once I was a schleppa, now I'm Miss Mazeppa" ain't nothin' wrong with that one).
Who says Mollers, instead of Maaa-hler's?
A lot of people. Most New Yorkers, and certainly Joanne after several rounds of vodka stingers. And, even if they didn't, the conventions of musical comedy would allow a departure from perfect pronunciation.
Updated On: 10/29/11 at 04:55 PM
Posted: 10/29/11 at 6:47pm
"while i defend to the death your right to critisize anyone's lyrics, it does seem you guys are having way to much fun with THE GREATEST LYRICIST OF OUR TIME..."
But isn't that the very point? Nearly everyone in here is doing it out of love--and any lyrics one would have quibbles with probably wouldn't even be noticed by a lesser lyricist.
Posted: 10/29/11 at 7:25pm
"The heck, babe. Let's neck, babe." Really?
Posted: 10/29/11 at 7:30pm
ETA I suppose he could have written:
"What luck, babe! Let's f**k, babe!"
But believe it or not, most adults didn't talk to each other that way in 1971.
Updated On: 10/29/11 at 07:30 PM
Posted: 10/29/11 at 7:31pm
Posted: 10/29/11 at 7:37pm
Posted: 10/29/11 at 7:59pm
"Don't stall, babe. Let's ball, babe!"
But Buddy was the age of our parents. "Neck" is appropriate to his generation.
(ETA this reminds me of how often I simply assume a good lyricist knows his characters. Sondheim and others have criticized Hammerstein for giving Nellie the adjective "bromidic." But I always assumed it was a figure of speech from Nellie's era.)
Updated On: 10/29/11 at 07:59 PM
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