"Notwithstanding all this, the piece has serious structural problems. It revolves around an unsympathetic character who shows little desire and has no real motivation to break into song. The momentum of the storytelling is often interrupted by Bateman’s self-absorbed musings. It also ends on an unapologetically depressing note.
Duncan Sheik’s electronic, often dissonant score has a monotonous feel, which may explain why a few ’80s pop hits have been thrown in. I came away feeling that “American Psycho” works better as a drama with background music instead of a fully-blown musical."
Mr Roxy said: "Looks like the critics did to it what he did to his victims. Being a smash in London means nothing to our astute (not) critics."
To be fair this did not receive across the board RAVES in London either.
I'm disappointed so far...I was really hoping for excellent reviews on this one.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Sunny11 said: "Benjamin Walker is getting mostly good reviews though , could he get the Tony nod?"
He should already have one for BLOODY BLOODY so I hope so.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
"Either way, Bateman’s [...] shallow girlfriend Evelyn (Helene Yorke, vivid), and Evelyn’s backstabbing bestie Courtney (an impressive Morgan Weed)." Nice pull quotes, very deserved. I'm much more interested in what reviewers have to say about the actors than the show. I know the show is good, a masterpiece, really, but it's far more interesting to see how they liked the performances.
They/them.
"Get up the nerve to be all you deserve to be."
Unless pull quotes are framed out of context they are valid reviews. The ones the OP mentioned where genuine praise for the actresses. How are they not valid?
I think we've seen that its really word of mouth that fuels a hit on Broadway these days. AMERICAN PSYCHO was always going to be a love it / hate it experience. I think the trick to it holding on isn't necessarily getting raves (though great pull quotes help) -- its that the musical needs to continue to be a strong water cooler talking point. In other words, it needs to be a situation of: 'love it or hate it, you HAVE to see it.'
“I knew who I was this morning, but I've changed a few times since then.”
It baffles me how critics keep mentioning how the move an now musical play up the humor and satire aspects more than the book. The book was always hysterical and always disturbing while being a vicious satire. it just flew over a lot of people's heads which is odd because its easy to understand the book