Georgeanddot2 said: "To be clear, for a lot of people on here, I don't think racism stood in the way of them enjoying this revival or Audra's performance. But there is a real conversation to be had here surrounding expectations. I think a lot of you have had a really hard time leaving baggage at the door for this production. Audra is not Patti or Bernadette or Ethel or Angela or Tyne, obviously. She brings her own thing to the role, thankfully. It's theatre. I don't expect or want to see the same thing over and over again. I sense an unwillingness to engage with Audra's performance on it's own terms. And then yeah there's also quite a lot of obviously racially motivated hate happening here, where I sense that Audra is not being allowed into a certain elite "diva club.""
Thank you for this. A sensible response one can actually engage with. I agree with you Georgeanddot2. As someone who studies critical race theory and also works on broadway and in the theatre in general I absolutely agree with you that there is a real convo to be had around expectations. Particularly with older white theatre goers who have seen multiple Roses. The unwillingness to engage with Audra's performance on it's own terms. Yes, that. Whether one wants to admit it or not, her being Black is a part of those terms. Her being a soprano is second to that. Unwillingness to engage with her performance without taking into account who she is and what the production is ( I have seen MUCH white mediocrity lauded on these boards) and the baggage brought in from ONLY white women previously, I agree with. And I would go one step further, to say that is what I mean by unconscious bias. Which to be CLEAR to y'all on the boards, is not racism. Folks on this board don't know what the definition is, or being willfully obtuse and conflating it with racism. Of course one can't readily admit it might have a hand in their opinions, cause its UNCONSCIOUS. Doesn't mean it isn't true.
Early comments during previews said Rose is now a Black church lady with a southern accent. Now, that **** was racist. Different from an unconscious bias that doesn't allow for actual engagement. Hella racist things get said on this board all the time, i'm not saying that in totality. However I agree, there is a lot of racially motivated hate here as well. Exactly that about being allowed into a certain "divas club", where by the american theatre and the tonys own standard she has already surpassed ALL of those white ladies before she ever took on this role. That is simply an immutable fact. Not a Black ass fact lol.
Thankful you were able to see what happens and speak on it. I do not understand why ppl just blatantly defend their non-Black opinions when you could just consider the perspective of Black folks and move differently? Calling me insane and crazy...don't you see how that reinforces racial stereotypes when Black people call out bias and racism? Having a mental breakdown? Over white folks and "men of color" opinions of Black excellence, never L.O.L. You don't my ancestors or the souls that stand behind me to speak to you so honestly and freely like that, but if I were I would watch the name calling and the like, I respectfully ask you to stop.
Also if you haven't seen the show recently, I would suggest you go back. It is so much deeper and richer than in the winter. She will keep excavating the soul of that character until closing.
Also side note, super proud of Joy Woods, her growth in this role is other worldly! I don't think I have seen a performance grow this much over the course of 7 months ever in a show. It's like acting onstage with the greatest living stage actor has positive effects on a young actors chops, go figure! 
Updated On: 5/16/25 at 01:07 PM