I would think there will be a final announcement by May. One has to wonder if the producer was taking money from ticket sales for scheduled performances that were then cancelled and investing it, thus returning money to ticketholders after announcing cancellations. After reading this thread I would guess that the production will not happen in NYC.
On a side note, perhaps the cast would be comprised of the European cast that finished in December. But again I do not think the production is going to happen. I do think there will be some sort of formal announcement.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I, too, have heard (from a very reliable source) that the producers, etc are still planning on going ahead with it. In fact, Meat Loaf is gonna start doing press for it.
No one knows anything about dates, cast, etc (including said source). Many still doubt it will happen. But, I can confirm that they are sending Meat around on the media circuit to build up hype for it.
RumTumJM said: "I, too, have heard (from a very reliable source) that the producers, etc are still planning on going ahead with it. In fact, Meat Loaf is gonna start doing press for it.
No one knows anything about dates, cast, etc (including said source). Many still doubt it will happen. But, I can confirm that they are sending Meat around on the media circuit to build up hype for it."
That's interesting, because it was definitely advertised and promoted as a Jim Steinman musical - not a musical based or having anything to do with Meat Loaf. But since that didn't work out too well in the UK, perhaps they have since approached Meat Loaf about US publicity.
ggersten said: "...it was definitely advertised and promoted as a Jim Steinman musical - not a musical based or having anything to do with Meat Loaf."
Says who? His name was on the marquee for the Manchester tryout:
At some point in the process, they even added prominent billing for him as a below-the-title associate producer, although from what I could see all he really did was attend the show once in a blue moon and show up to a few launch events.
Like I said elsewhere in the thread, 2% of the U.S. knows Jim Steinman had anything to do with Bat Out of Hell. The UK and Europe only marginally know him for more than that. Nobody left Meat Loaf out of the promotion; in fact, they probably wished he could have done more.
Was so sad that the pre-Broadway San Francisco engagement died (along with the tour and NYC City Center dates) and will only believe the US production is happening when my asterisk is in a theatre seat where BOOH is on the marquee.
My friend who works at City Center said that they put down a deposit for the run not too long ago. Seems however, if it is really happening, we should start seeing some ticket sales.
I just received a letter from DC's National Theater about the cancellation of Bat Out of Hell. Here is one statement I thought you might be interested in "Because of the size and technical complexity of this spectacular musical, producers have decided to take the show directly to New York rather than tour ...."
leftyloveshuskies said: "I just received a letter from DC's National Theater about the cancellation of Bat Out of Hell. Here is one statement I thought you might be interested in "Because of the size and technical complexity of this spectacular musical, producers have decided to take the show directly to New York rather than tour ....""
That quote was basically the essence of the last press release that was carried on Broadway.com not too long ago. But one has to wonder if it is the truth of the situation or something put together by a PR person.
More to the point, I've seen tons of video of the "bigger-budget, full-featured" version (in Manchester and at the London Coliseum), and if they paid more than one to two million for those sets, they got robbed. The projection screens and the pool of water were the most complicated elements of the damn thing.
^The full scale version (West End version & Toronto initial run) were SUPER impressive, and you saw every dollar onstage. It was way over the top. The projections were some of the best I've seen, and the flying was very complicated. I mean a CAR falls into the orchestra pit! A motorcycle explodes and the debris fly into a heart shape in the air. Any money spent, was well spent.