Donna74 said: "Does anyone know if row aa or row bb is the first row? I’ve seen two different seating charts claiming both to be the first row."
My $25 partial view seat was A1. First row. And there was no partial view. Full view,
I was afraid as I had read online how bad some of these seats were. But I must have lucked out, first row on the aisle. I missed nothing and I was so close to see every facial expression. As a matter of fact (SPOILERS BELOW)
when Hiddleston is confronting his wife in Italy, sitting there, trying to remain in control, barely letting his eyes water in grief, this string of snot fell from his nose. It should have been gross, but it was actually astounding. I have seen single-tear acting but never snot acting. I doubt this happens in every show, right? And I hope he wasn't embarrassed by it, it was almost a metaphor for his character. So controlled, he won't even let himself cry, but his body betrays him in this unexpected way. It was amazing.
The acting was uniformly amazing. It's my first Betrayal. Is it generally this moving? I feel I'm missing out somewhat as it feels like the sort of revival that would have extra meaning if one had seen other productions. I liked the guys a wee bit more than her, though I thought she was very good. It could be I just find the actress unlikable (I felt the same about her in a Jake Gyllenhaal movie she is in on Netflix) but that is the part. Do the men usually come off better than the wife? I felt great sympathy for both men but not much for her (and it could be because the guys were UBER hot..) I'm guessing what some called "over-direction" was that Lloyd showed his hand, as I presume this is a very minimalist production comparatively so the styling comes through? Cause I found the direction magnificent, some set pieces glorious in their transition and simplicity. Maybe the scene of Jerry throwing the little girl up? I'm guessing that was a directorial flourish not in the script? But Robert holding the girl through the rest of the scene was a brilliant choice I thought.
I really admired the writing. So modulated and precise. He even knew when to throw in a comic waiter at exactly the right time.
What a wonderful afternoon in the theatre.