A Quintessential English musical, set in Liverpool is still running at the Phoenix Theatre in the West End today, where it has been running for nearly 27 years. Blood Brothers did come over to Broadway Music Box Theatre where it run for a respectable 839 performances.
Just wondering if any of you Americans have seen Blood Brothers, on Broadway or even the West End and interested on your thoughts on this show?
I have a funny story regarding my family's trip to the show in London.
My brother was spending a year there studying. My dad's childhood friend was in London for business and took my brother out to dinner and told him that if he had the time that he should go see Blood Brothers due to the fact that he loved the show and it was one of his favorites to see. We went to one of the ticket broker booths and got tickets based upon the suggestion of my father's friend. When the show started my parents turned to one another and realized that what they were seeing looked very familiar. They didn't realize it until they saw it but they had seen the show on Broadway and totally forgot about having done so. The first act of the show jogged their memory about them having seen it years before.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
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ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I saw this in London just a few months after it opened (the current production, not the original) - it had played about 120 performances at the time. I remember the sign outside the theatre saying 120 performances - 120 standing ovations and thinking yeah, right. Standing ovations weren't the norm even on Broadway at that time, and the only standing ovation I had ever seen in London was for Julie Andrews' opening night at the Palladium.
Well, yes indeed - a standing ovation. I saw it again about a week later, and the audience response was the same. To be sure, there are many valid criticisms that could be made, but it obviously hits a chord with audiences, and stays with you.
Don't tell anyone, please, but sometimes I get teary-eyed as the first notes of the CD start ......
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I loved the music and played it a million times before finally seeing the original Broadway cast on Broadway. The production itself was extremely dark...MUCH darker than the current Night Music revival. It was very moody, and although I was happy to have seen it, it never made my top 25 list. I believe it was just a British tale that didn't translate as well across the Atlantic as the recent Billy Elliott did.
I saw this in London in...2004 and absolutely was mindblown. It remains one of my all time favorite theatrical experiences. Truly, it's a gorgeous piece.
I love this show even with its dark theme!! I saw it on tour in San Diego in 1995 and knew nothing about it. The reason I went to see it was because it starred someone I love Petula Clark. The blood brothers were David and Shaun Cassidy. What an incredible surprise it was and I immediately bought the recording which I still listen to today. If I were to make a trip to London I would have this at the top of my list to see. For me I liked this British musical much more than I did "Billy Elliot".
I saw it in London in the fall of 2006 and didn't particularly enjoy it. I thought the story was extremely predictable, and I really wasn't a fan of the music. Granted, it's been three years since I saw it, so I can't recall my specific complaints, but I do recall leaving feeling disappointed and unconnected to the show on the whole.
I think I'm one of the very few who actually preferred it on Broadway to the West End. Loved the show here in New York, then went across the pond and got a ticket there. It might just have been that performance but the actors aeemed as if they were walking through it, no energy in the production at all. I was very disappointed since I expected it to blow the NY production away. At least on that day it didn't. But I am a big fan of the show.
Hated everything about it, if they had just all died in the opening moments I would have been a very happy man.
People who you just couldn't or better still wouldn't care about, awful, awful, awful musical.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I've seen it in London several times. To be blunt, it's a little cheezy or corny and overly sentimental. But I'm convinced anyone who can sit through the show and not be moved must have no heart.
It's sad that some people "couldn't or better still wouldn't care about" a child given up for adoption, or couldn't care about a mother torn apart because she gave up a child so it could have a chance in life. What kind of characters WOULD such a person care about I wonder? But I guess to each his own.
I saw it on Broadway first and fell in love with the show. A few years later, I took my parents to see it when I was living in London. It's been 11 years since I saw it last and would love to see it again. I think it is a gorgeous show. Sure it's predictable and sentimental and wears its emotions on its sleeve. Just like most musicals. But if you are looking for light entertainment, this is definitely not the show for you.
People who you just couldn't or better still wouldn't care about
I did. Why didn't you?
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
" People who you just couldn't or better still wouldn't care about
I did. Why didn't you? "
'Cuz it's Rosscoe, Mister Matt.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I just saw the London production on Tuesday night (my second time in 22 years - that's how long this production has been running). Starring Mel C of The Spice Girls (the one who can actually sing), the show is still fantastic. It's no surprise it has been running so long.
Blood Brothers is probably the only show that I have all cds of the different casts.
The Three London Versions, the International Version and a whole slew of foreign and non English ones. I love love love this show!
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
All I've got's the Kiki Dee recording (I'm sure at some point, I'll get a hold of some others) and being on this thread makes me realize just how long it's been since I listened to that recording.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
Saw it in London w/Kiki Dee and Con O'Neal - great theatrical experience.
Saw the National Tour in San Francisco with Petula Clark and all three Cassidy brothers. Lesser theatrical experience, and, oddly, like an hour longer.
I have the Israeli Original Cast Album, which is beautiful.
I saw both the Barbara Dickson original West End production and the Kiki Dee production. The first one hit me harder emotionally because I went in with no expectations. The plot has holes you can drive trucks through and required huge suspensions of disbelief, but it still brought me to tears and to my feet.
Even so, I'm beyond amazed that it's still running.
"Though it has been playing in London for 27 years, it frequently plays to near empty houses. The producer, Bill Kenwright must have deep pockets." When I went, the dress circle and upper circle were closed, and the stalls still were not full.