#51
Posted: 2/11/08 at 8:16pm
I've been thinking about "The Exorcist" for a while. Originally, I intended to approach it in a style like "Carrie": total camp, but unlike "Carrie," "Exorcist" was to embrace this campiness and not take itself seriously. Some song titles I'd thought of for this version were "I'm Gonna Piss on You," "Let Jesus F**k You,” and "Compels You." The more I watched the film and read the novel, the more I realized that there was the potential for something legit, and I changed my approach to the material. Now I envision a show which starts with either a very lush "Light in the Piazza" type score, or a score similar to any classic Broadway musical. As the show goes on and the Demon begins to take hole, the score takes on more and more pop and rock influences, finally bursting at the seams in the second act with a huge rock number for the final confrontation between the Priests and the Demon. As the show wraps up, the score begins to resemble what it was at the start of the show, but still with the slightest rock influence, a reminder of the scars the Demon left on Reagan and her mother forever. Some song titles I've played with include "Rags," "Lost," "Let HIM," "You Must Help Her," and "The Power Compels You."
Maybe I'm insane, but I think it could work!
Maybe I'm insane, but I think it could work!
-- SDG