"A lot of nice people on stage and off will be out of work and a lot of good partners and investors will have lost a great deal of money. They all deserve better. It makes us sad."
I don't think he sounds pissed. I think he sounds understandably disappointed.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
A colleague of mine moved with her husband from Chicago to New York because he was given the understudy position for Stanley in both productions. Now after all that, this happens. It is so horribly depressing, and says so much about the state of Broadway theatre right now.
I enjoyed this revival very much, but does this closing really say much about "the state of Broadway?" After all, there are a number of plays and musicals doing fine business (albeit, the plays do feature major stars). Broadway seems very healthy right now in terms of grosses and is showing no sign of letting up. I do not believe this closing is a reflection upon Broadway. Simply put, the general public (New Yorkers and tourists alike) do not have a taste for *this play* at *this time*. Perhaps Simon is past his expiration date?
That said, it would have been such a loss not to have seen this wonderful revival. What a cast and such an exquisite production.
I'm not terribly atuned to the buisness side of Broadway but can we really only blame the audience for a show closing after a week? Most plays don't do good buisness right after opening but producers keep them open until word-of-mouth (hopefully)spreads. Why did producers give up hope on this play so fast?
Oh, and I almost forgot to mention...I'm the good cop, he's the bad cop.
It was clear even after the good reviews and very large ads that audiences were not coming. The quick closing enables the producers to return a significant portion of the reserve to the investors, which was the responsible business decision to make, in spite of how much it is devastating to the cast and creative team of the production.
Begin at the beginning and go on till you come to the end: then stop.
Of course it says something about the state of Broadway! It's a straight play with no stars. It's nearly impossible for such a play to survive right now. The only exception is The 39 Steps, which is in a tiny theater, dirt cheap to produce, and has only four actors.
What a real shame this news is. Being from Toronto, I was hoping to catch both Neil Simon plays the next time I was in NYC. Even more of a shame is that Broadway needs the help of so many film/television stars for its shows to have a lengthy shelf life and to turn a profit.
"Of course it says something about the state of Broadway!"
Please...expound (and with a tad more support this time!). When you do, consider the success of August, Boeing Boeing, Norman Conquests in recent seasons (too many others to list here...)and the relative (potential) failure of Oleanna (with stars).
And 39 STEPS was part of a Subscription series, which enabled it to build word of mouth.
While I agree the producers seem to ride on Neil Simon's name alone, with a dull and unexciting title for the pairing, I'm still so shocked. Simon's name not being what it once was is not as shocking as it apparently worth nothing! A first-rate production of some of Simon's greatest work not only closing early, but flopping hugely.
It certainly does say something about theatre today, and quite loudly.
I especially feel bad for Laurie Metcalf. I'm quite a fan, and I was happy to see her get a great part on B'way.
This really is a shame. But I think the producers are partly to blame...the marketing for this show was lazy beyond words. Where were the subway posters? Where were the bus-side posters? Where were the photos from the show on the front of the theater?
It's as if they felt they could just sit back and let the "Neil Simon" name carry ticket sales forgetting that Simon has not had a hit in nearly fifteen years, leaving an entire generation not knowing who he is and my own generation writing him off as a sentimental jokester.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali