Trust me, no one wants to replace Charlie Stemp even if they think they do! He is the magnet and glue that is holding this whole show together. It's so rare that someone who is not really a 'name' or celebrity can really command an entire stage/show and bring such star presence. He is a great dancer, but his boyish charm and humour just elevate the whole thing to the next level. You can't take your eyes off him the whole time and when he isn't on stage he is sorely missed. In one reality I would be screaming for the show to transfer so he can win a Tony. My only slight tentativeness is that after seeing Charlie Stemp 3 times on stage now (Hello, Dolly; Marry Poppins; Crazy For You) I DO think his style/shtick starts to feel a little familiar. But it's no less impactful or impressive.
As for the the evening and show, the heat didn't help but I did feel it was a bit long and slow and there is opportunity to pick up the pace a little at times. The physical production is serviceable/good if a little cheap/tacky feeling at points (super niche observation but it is very hard for me to look at those cheap FOLLIES costumes after seeing Gregg Barnes' Tony-winning costumes in the 2011 FOLLIES revival).
I could imagine the show slotting nicely into a future roundabout season. I think the star is Charlie and not the show in this case.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
binau said: "I could imagine the show slotting nicely into a future roundabout season. I think the star is Charlie and not the show in this case."
Charlie is indeed the star! No doubt! If they do transfer this to New York next year, I would hope they bring Carly Anderson over as well! My god that woman is talented! I know she's not a big name either, but the chemistry between her and Charlie last night was just superb!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
George in DC said: "I know this won't be popular but if this transfers, I hope Tony Yazbeck will be the lead. I am tired of British actors getting roles that should go to Americans.
I don’t see any scenario where this transfers without Charlie (they’d be more inclined to recast the female lead or Zangler). Bobby calls for someone with a certain boyish charm (how great would it be if a producer with deep pockets could lure Tom Holland back to the stage for this?)
Would love this to be the show that relaunches the Palace.
It would be an unbelievable coup to get Tom Holland for the role (I assume he'd find it much more challenging than Charlie though who is very much in practice for the stage in this kind of role) and that would suddenly take out a lot of commercial risk with the production if Tom Holland can handle it. I would immediately invest (if I had any money) and want a large theatre. I can't see it happening though, it would just be so much work. Charlie makes it look so easy but I can tell it's really not.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I suspect that for Holland it would be a case of his desire + availability. Much like a Hugh Jackman has been willing to do, it would mean carving out at least two years for such a project. I’m certain that producers would sell millions of dollars of tickets before he ever gave a performance. I’m sure he could handle the dancing and comedy (less certain about whether he can carry a tune).
CHARLIE is a star. Remember when he stole the NYT review when Peters joined the show.
Review: The ‘Dolly’ Parade Marches On, Now With a New Star
A dimply new star has joined the cast of “Hello, Dolly!” and he’s delightful — oh wait.
Perhaps you weren’t asking about Charlie Stemp, the replacement Barnaby Tucker in the hit musical revival that introduced four fresh principals on Thursday evening.
O.K., then: A dimply new star has joined the cast of “Hello, Dolly!” and she’s delightful.
George in DC said: "I know this won't be popular but if this transfers, I hope Tony Yazbeck will be the lead. I am tired of British actors getting roles that should go to Americans.
The entire cast is British. They haven't taken any role away from an American! "
Most of the comments here are too much. When this production opened last summer, it got rave reviews and so did Charlie Stemp. When this production opens in London the reviews will be raves and Charlie Stemp will be a name. I doubt the show would transfer to Broadway without him. By the way, Mr. Stemp turns 30 this November.
Charlie Stemp and Carly Anderson are key to this show! If it does transfer to NYC, they have to be included! They can cast the rest of the company with Americans. Won’t be taking away any opportunities from American Actors!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
A Director said: "binau said: "This show is particularly exciting as well as it's the kind of thing that could make it to New York one day.
Crazy For You originated on Broadway!
"
I'm not really sure I understand the purpose of this comment - the context of my comment is specifically whether this production launched and mounted in London right now could make it to New York not whether the show has been seen before in NYC or not.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Isn't the story mainly about Polly.? I remember Jodi Benson and Karen Ziemba. I have no idea (in my memory) who played the male lead. From the beginning of his casting and the show being built around Charlie, I kept asking, isn't this the FEMALE lead's show?
Owen22 said: "Isn't the story mainly about Polly.? I remember Jodi Benson and Karen Ziemba. I have no idea (in my memory) who played the male lead. From the beginning of his casting and the show being built around Charlie, I kept asking, isn't this the FEMALE lead's show?"
No the story centers around Bobby. He has more stage time than Polly as well. Harry Groener originated the role (and was in his 40s at the time and more age appropriate)
I'd kill to see this. I've been a huge fan of Charlie Stemp since I saw him during Bernadette's run of "Hello, Dolly!" He absolutely oozed charm and charisma.
Returned to the show tonight once more and what a difference a comfortable, cool theatre makes. As great as Stemp and everyone was that first preview, they were even better tonight. I just love this production so much.
Jordan Catalano said: "Returned to the show tonight once more and what a difference a comfortable, cool theatre makes. As great as Stemp and everyone was that first preview, they were even better tonight. I just love this production so much."
Great to hear they fixed the air conditioning in that theatre! I don't know if I will get to see it again while I am here, but I'm just glad I got to see it! To anyone on here, if you're visiting London between now and January, this show is a MUST SEE production!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince