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Chicago the Musical Appreciation Thread — Page 143

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#3551

Chicago The Musical Appreciation Thread

Patti LuPone FANatic said: "What about Jason Patrick Sands?"

He's retired from performing, so he's not coming back.


A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#3553

Chicago The Musical Appreciation Thread

Kate Baldwin, as was rumored, is the next Roxie Hart, from November 10 - January 11.

Alex Newell joins as "Mama" Morton November 17 - January 11.


“I am furious, but I am sailing.”
#3556

Chicago The Musical Appreciation Thread

EDSOSLO858 said: "Kate Baldwin, as was rumored, is the next Roxie Hart, from November 10 - January 11.

Alex Newell joins as "Mama" Morton November 17 - January 11.
"

Does Baldwin need the paycheck? Seriously questionable decision for her to be the 34th Roxie in this show. Newell is fantastic, but again, does Alex need the paycheck? Odd choices for two Tony-level actors to jump into a nearly 30 year old Broadway show.


A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#3557

Chicago The Musical Appreciation Thread

I mean, a paycheck’s a paycheck. Newell doesn’t seem to do a lot beyond concert appearances and Baldwin in particular works regionally all the time- she just finished Murder on the Links at Two River Theater in NJ a couple weeks ago.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#3558

Chicago The Musical Appreciation Thread

I think some of you overestimate how much money even "famous" theatre actors make. And the money made during the run of a show doesn't last forever, especially in this city.

#3559

Chicago The Musical Appreciation Thread

Doesn’t everyone need a paycheck?

I know we crap on the state of this production around these parts for fun, but while it could use a good shaking off in the breeze, a number of recent replacements (Jinkx Monsoon, Pamela Anderson, Robyn Hurder) have proven that the show still has juice and can really light up with the right performers in place. Kate Baldwin is perhaps a more qualified-than-usual singer/actress than we’ve come to expect in the part, but she’ll no doubt be fantastic.

And again - what’s wrong with a solid, reliable paycheck in between other jobs?

Updated On: 10/21/25 at 09:57 AM

#3560

Chicago The Musical Appreciation Thread

I think it's great to see "big names" replacing in shows, I wish we saw more of it.

(but also Kate Baldwin deserves to be originating roles in new shows all the time. Her voice is gorgeous!)

#3561

Chicago The Musical Appreciation Thread

TotallyEffed said: "I think some of you overestimatehow muchmoney even "famous" theatre actors make. And the money made during the run of a show doesn't last forever, especially in this city."

Exactly. I think joining CHICAGO is more or less a long-term game, where basically if you show up, play the role well and, in case of star/stunt casting, bring in the money, you’ll pretty much have a job you can come back to as they need you (see: Charlotte D’Amboise), especially as the old-guard performers are starting to thin out and retire.


Check out my eBay page for sales on Playbills!! www.ebay.com/usr/missvirginiahamm
#3562

Chicago The Musical Appreciation Thread

For Baldwin, especially, what better way to demonstrate to the often imagination-deficient casting world that you are multi-talented Broadway lead material than by… being a multi-talented Broadway lead?


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#3563

Chicago The Musical Appreciation Thread

ACL2006 said: "EDSOSLO858 said: "Kate Baldwin, as was rumored, is the next Roxie Hart, from November 10 - January 11.

Alex Newell joins as "Mama" Morton November 17 - January 11.
"

Does Baldwin need the paycheck? Seriously questionable decision for her to be the 34th Roxie in this show. Newell is fantastic, but again, does Alex need the paycheck? Odd choices for two Tony-level actors to jump into a nearly 30 year old Broadway show.
"

Uhhh... YES. We all need paychecks! There is this bizarre belief that if you're an actor with any type of notoriety, or with a Tony nomination/win, then you are somehow guaranteed to be financially well off. This could not be farther from the truth. Baldwin hasn't been seen on Broadway since 2018 (Hello Dolly). She works consistently in regional theater and does some cabaret/concerts, but that doesn't pay anywhere near a Broadway salary. Newell has been doing workshops of several new works, but obviously none of them have materialized into a production yet. Shucked closed in Jan 2024...was Newell somehow supposed to sustain themself off the earnings of that show for years and years? They are both super talented. So why shouldn't they be able to collect a Broadway paycheck? Shouldn't we be excited that Tony nominees and winners are taking on roles in Chicago? To breathe new life into it? The industry is hard. New Broadway roles don't just pop up every day. There's no shame in them taking on a Broadway lead contract.

#3565

Chicago The Musical Appreciation Thread

"BuT tHeY mUsT NeEd a PaYcHeCk!?!" is the dumbest comment. I've seen an uptick of it recently. Anytime a show on Broadway closes, and the actors who are now without a paycheck take a regional or replacement gig (essentially something someone deems as a "step backward") someone decides to chime in.

Shaming a performer for taking a job (when me thinks there are a lot of us in this group who have given up dreams of stepping on a Broadway stage that are making those comments) is so tacky.

#3566

Chicago The Musical Appreciation Thread

MayAudraBlessYou2 said: "ACL2006 said: "EDSOSLO858 said: "Kate Baldwin, as was rumored, is the next Roxie Hart, from November 10 - January 11.

Alex Newell joins as "Mama" Morton November 17 - January 11.
"

Does Baldwin need the paycheck? Seriously questionable decision for her to be the 34th Roxie in this show. Newell is fantastic, but again, does Alex need the paycheck? Odd choices for two Tony-level actors to jump into a nearly 30 year old Broadway show.
"

Uhhh... YES. We all need paychecks! There is this bizarre belief that if you're an actor with any type of notoriety, or with a Tony nomination/win, then you are somehow guaranteed to be financially well off. This could not be farther from the truth. Baldwin hasn't been seen on Broadway since 2018 (Hello Dolly). She works consistently in regional theater and does some cabaret/concerts, but that doesn't pay anywhere near a Broadway salary. Newell has been doing workshops of several new works, but obviously none of them have materialized into a production yet. Shucked closed in Jan 2024...was Newell somehow supposed to sustain themself off the earnings of that show for years and years? They are both super talented.So why shouldn't they be able to collect a Broadway paycheck? Shouldn't we be excited that Tony nominees and winners are taking on roles in Chicago? To breathe new life into it? The industry is hard. New Broadway roles don't just pop up every day. There's no shame in them taking on aBroadway lead contract.


"

This, and we don't get to decide who takes on what role. Casting and the performers decide. That's it. The only influence audiences have is whether or not they see it.

#3567

Chicago The Musical Appreciation Thread

ACL2006 said: "EDSOSLO858 said: "Kate Baldwin, as was rumored, is the next Roxie Hart, from November 10 - January 11.

Alex Newell joins as "Mama" Morton November 17 - January 11.
"

Does Baldwin need the paycheck? Seriously questionable decision for her to be the 34th Roxie in this show. Newell is fantastic, but again, does Alex need the paycheck? Odd choices for two Tony-level actors to jump into a nearly 30 year old Broadway show.
"

What is wrong with working and needing a paycheck? Not sure where you are trying to go with this.


"I hope your Fanny is bigger than my Peter." Mary Martin to Ezio Pinza opening night of Fanny.
#3568

Chicago The Musical Appreciation Thread

Also, as established, lauded names in principal roles, they're easily going to be making 5 figures a week doing this.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#3569

Chicago The Musical Appreciation Thread

Kad said: "Also, as established, lauded names in principal roles, they're easily going to be making 5 figures a week doing this."

Just that both actors are more worthy and talented then being the 34th replacement in this show.


A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#3570

Chicago The Musical Appreciation Thread

ACL2006 said: "Kad said: "Also, as established, lauded names in principal roles, they're easily going to be making 5 figures a week doing this."

Just that both actors are more worthy and talented then being the 34th replacement in this show.
"



An offer comes, you take.

#3571

Chicago The Musical Appreciation Thread

ACL2006 said: "Patti LuPone FANatic said: "What about Jason Patrick Sands?"

He's retired from performing, so he's not coming back.
"

I know that. Someone mentioned JPS all of a sudden. I merely wondered why the OP mentioned him out of the blue.


"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
#3572

Chicago The Musical Appreciation Thread

I’m happy for Kate Baldwin, she’s been doing a lot of little regional theater/community theater shows out in Jersey. She was outstanding in The Bridges of Madison county, and excellent in What the Constitution means to me.


it’s funny, I was hoping either her or Betsy Wolfe would replace in Ragtime. Guess not


#3573

Chicago The Musical Appreciation Thread

Is the news about Alex Newell a rumor or is it the real deal?


"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
#3574

Chicago The Musical Appreciation Thread

Can I get a bite of that hat? I earned it by doubting Baldwin's casting.

Both are very unexpected, but like others have said, a paycheck's a paycheck.

While Baldwin won't move the needle in ticket sales, I'm excited to see a real singer-actor in the role again. And Newell will be great in promoting the show anyway.




"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008

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