I enjoyed the German show but I can understand why some people thought it was too earnest and decided to camp it up for New York. One of the problems is that Total Eclipse is such a camp classic that it undermines other serious passages. See, now that's the part I don't get. Whenever Steinman or anyone else involved with the show calls the German version a dark, brooding opera, I can only assume that such a comparison is to the campy romp it was on Broadway, because I've never gotten the impression that the German version of
Tanz der Vampire is
not a comedy. The difference between the two can be summed up in that old George Abbott quote: "If you play it for comedy, it won't work. If you play it for real, it will."
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28