blaxx said: "I wonder who DOES perform there now."
The National Symphony Orchestra is the remaining major resident performing arts organization. They'll obviously have a harder time finding a suitable replacement venue, given their audience size and more intensive performance schedule, but I have to believe they won't be there too much longer, either.
Understudy Joined: 8/18/06
if - strictly as a fan/lover of Broadway musicals - you wanted to make your voice heard...
MOULIN ROUGE producer/management is Global Creatures ....
usoffice@global-crreatures.com
MRS. DOUBTFIRE is produced and managed by Worklight Productions...
worklightproductions.com
CHICAGO is produced and managed by William Prather productions (as Apex Touring)...
info@prathertouring.com
BACK TO THE FUTURE is general managed by Bespoke Theatricals ...
info@BespokeTheatricals.com
and THE OUTSIDERS is general managed by 321 Theatrical Management ...
info@321mgt.com
just sayin'
^^^ further info, if you want to send a letter(which I think makes a more meaningful impact)!
Chicago (Scheduled to appear March 31st - April 5th, 2026)
Mailing Address: Apex Touring, C/O Mr. Ryan Parliment, 1380 Colonial Blvd., Fort Myers, FL 33907
Moulin Rouge (Scheduled to appear June 17th - July 5th, 2026)
Mailing Address: Foresight Theatrical, C/O Mr. Aaron Lustbader or Mr. Nick Ginsburg, 1675 Broadway, Suite 1600, New York, NY 10019
Back to the Future (Scheduled to appear July 7th - July 19th, 2026)
Mailing Address: Bespoke Theatricals, C/O Ms. Matty Cogliano, 230 West 41st Street, Suite 1703, New York, NY 10036
Mrs. Doubtfire (Scheduled to appear July 14th - August 2nd, 2026)
Mailing Address: Work Light Productions, C/O Mr. Matt Kunkel, 392 Springfield Avenue, 2nd floor, Summit, NJ 07901
The Outsiders (Scheduled to appear July 28th - August 16th, 2026)
Mailing Address: 321 Theatrical Management, C/O Mr. Ken Silverman, 420 W 45th Street, 2nd floor, New York, NY 10036
Stand-by Joined: 1/8/24
kdogg36 said: "Removing Trump isn’t enough. The system that produced him needs to be utterly destroyed. The United States can’t be allowed to continue in any recognizable form."
which begs the question
when they had the house and senate and white house trifecta from 2021 to 2023
why didnt the democrats pass stronger laws to prevent another trump or even trump 2.0
they underestimated the political power trump was able to amass
and they overestimated the intelligence of the majority of american voters
just like in 2016
_every_ upcoming kennedy center engagement should cancel and send a unified message
yes it will put innocent people out of work for a while
but its time to start thinking long term
with his name desecrating this institution it is blood money
Understudy Joined: 8/18/06
Call_me_jorge said: "^^^ further info, if you want to send a letter(which I think makes a more meaningful impact)!
Chicago(Scheduled to appear March 31st - April 5th, 2026)
Mailing Address: Apex Touring, C/O Mr. Ryan Parliment, 1380 Colonial Blvd., Fort Myers, FL 33907
Moulin Rouge(Scheduled to appear June 17th - July 5th, 2026)
Mailing Address: Foresight Theatrical, C/O Mr. Aaron Lustbader or Mr. Nick Ginsburg, 1675 Broadway, Suite 1600, New York, NY 10019
Back to the Future(Scheduled to appear July 7th - July 19th, 2026)
Mailing Address: Bespoke Theatricals, C/O Ms. Matty Cogliano, 230 West 41st Street, Suite 1703, New York, NY 10036
Mrs. Doubtfire(Scheduled to appear July 14th - August 2nd, 2026)
Mailing Address: Work Light Productions, C/O Mr. Matt Kunkel, 392 Springfield Avenue, 2nd floor, Summit, NJ 07901
The Outsiders(Scheduled to appear July 28th - August 16th, 2026)
Mailing Address: 321 Theatrical Management, C/O Mr. Ken Silverman, 420 W 45th Street, 2nd floor, New York, NY 10036"
oh, Jorge, Sir, I bow to a skill far defter than my own
:)
Broadway Legend Joined: 8/25/06
kdogg36 said: "blaxx said: "I wonder who DOES perform there now."
The National Symphony Orchestra is the remaining major resident performing arts organization. They'll obviously have a harder time finding a suitable replacement venue, given their audience size and more intensive performance schedule, but I have to believe they won't be there too much longer, either."
i hope you're right, but IDK ... the NSO's contractual relationship with the Kennedy Center may be more complicated than WNO's was/is -- none of us knows that. and how ever "mutual" WNO's decision to leave was, you can bet an NSO departure would be far less amicable.
I am hopeful this will not lead to a City Opera-style demise for the WNO; City Opera leaving Koch was the deathknell. But C.O. also had years of poor finances, leadership changes, an inept Board president, and competition from the Met. And WNO has no meaningful local competition.
Broadway Legend Joined: 3/29/23
Kennedy Center Head Insists He Instigated Split With Washington Opera
https://variety.com/2026/music/news/kennedy-center-split-washington-national-opera-who-started-1236628120/
whatever2 said: "kdogg36 said: "blaxx said: "I wonder who DOES perform there now."
The National Symphony Orchestra is the remaining major resident performing arts organization. They'll obviously have a harder time finding a suitable replacement venue, given their audience size and more intensive performance schedule, but I have to believe they won't be there too much longer, either."
i hope you're right, but IDK ... the NSO's contractual relationship with the Kennedy Center may be more complicated than WNO's was/is -- none of us knows that. and how ever "mutual" WNO's decision to leave was, you can bet an NSO departure would be far less amicable."
And they're making better Box Office than the WNO, even after the name change. That shouldn't be the reason they're staying but it probably is.
Any musician or musical organization that boycotted Russia after the invasion of Ukraine needs to not set foot in the Kennedy Center.
Swing Joined: 8/28/24
MezzA101 said: "Kennedy Center Head Insists He Instigated Split With Washington Opera
https://variety.com/2026/music/news/kennedy-center-split-washington-national-opera-who-started-1236628120/"
Grenell wouldn't know the truth if he fell over it. His and others mis-administration have cost the center, in terms of bookings, artists, subscribers and attendees ,greatly in terms of reputation and revenue.
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