Well that was fast. I just told my Economics teacher that it was looking like it would be a front runner for Best Play. I could have not have been more wrong. LOL.
Eeek. I didn't like it, but there are a lot of great people involved and I wish it could've run through the end of June at least. I think the topic just hit too close to home for American audiences.
"Has there ever been such a disjunction of success between West End and Broadway before?"
Yes, as someone mentioned earlier in this thread - CORAM BOY. A hit in London, but played 17 previews and 30 performances in NYC. (another shows I despised by the way)
Huh. That's absolutely amazing... especially given that the source material is American originated. Too bad! The accounting geek in me was looking forward to this in another week!!
"Are you sorry for civilization? I am sorry for it too." ~Coast of Utopia: Shipwreck
I just remembered another London transfer failure - FESTEN. It lasted 20 previews and 49 performances on Broadway. I kind of liked that show though...save for Ali MacGraw's bad acting.
This show really suffered from failing the "tourist test" if nothing else. (And I have not read any reviews or seen any other info on the actual production before today.)
Just hearing the title and description of this show people gave the "Why on earth would I want to see a show about that?" reaction. And, being honest, if Norbert and Marin were not in it, and I didn't desire to see everything, I would have never wanted to see it either. West End schadenfreude about American failures somehow played well there, and didn't play well here. Shocking.
Although I thought the play was problematical, the performances were first rate and some of the staging was inventive. I am sorry this didn't do better but I am very glad to have seen it.