When people realized it wasn't the lady from Glee they all left.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I saw her! I liked her interpretation of the role. She played it very differently from Katie Finneran. At times, I felt he was unsure of herself, but it was her first performance. Give her a few weeks and she will be excellent.
Yeah - after all she's only a professional actress with over 25 years of experience on Broadway. She only learned that she had the role a couple of months ago. It's possible she had never heard the songs before, and had no idea how to play the character. You can't expect her to actually be "good" without a few weeks of performing for people who shelled out $150 to see her.
Regardless of how many years experience you have, it still takes time to get your stage legs in the role and integrate. Cut her some slack. Lynch was just playing Sue Sylvester Hannigan, so no lead time was needed.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I saw Faith Prince today at Lilla's final performance, and I have to say her Broadway reunion with Charles Strouse is a happy one.
She was my favorite of the three Hannigans and seems to have formed the most complete character, even if she's still finding a joke here and there. She doesn't play it as over the top as her two predecessors, and its to the benefit of the production.
I'm not very good at telling when keys are changed, but my friend and I both thought that Little Girls was lowered.
Lilla's voice is still a powerhouse; there were no curtain speeches or goodbyes.
The production still is what it is, and no casting will change that.
On a side note, the audience was awful today. Texting, talking, moving around, constantly getting up and leaving the theater- just distraction after distraction. I was ready to start picking people up and throwing them off the balcony.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
I mean I dislike the Palace balcony in general, but the sight lines for this show are perfectly fine, and really it's not worth paying any more to see this show!
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
Thanks, Whizzer! In case anyone else needs a warning, I'll add on...the matinee audiences at this show are HORRIBLE. I sat in the mezzanine and felt like I was at a highschool performance because of the audiences behavior. (This has nothing to do with the production - I quite love it, in fact!)
It's disappointing to hear they've lowered the keys. Faith Prince's high belt seems to be a thing of the past, or at least her confidence in it is. They lowered the keys for her in THE LITTLE MERMAID as well to a really detrimental degree.
Whizzer, I'm surprised there was no recognition of it being so many of the orphans' last performance. Did Lilla Crawford seem at all emotional? I've heard rumblings from people involved with the show that there was a lot of animosity from her team over the decision not to renew her contract (since it wasn't an issue of her outgrowing the role).
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.