I just don’t know the relevance of ‘female driven’ with box office success really - I’m not convinced that you could pick up any old show (or new show for that matter) and expect it to be a success unless you have a star or there are other factors at play. You could easily pick a whole host of recent ‘male driven’ shows that were also flops when there was no star: Tootsie, Spongebob, Beetlejuice, Carousel, Groundhog Day, Natasha, Fiddler revival (maybe?), On the Town, Something Rotten, Rocky, Chaplin etc. I just don’t see much correlation, especially because Broadway is an art form with a majority of female ticket buyers. Not to mention females often doing the best work and in the best roles :).
Funny Girl will likely flop unless they are lucky because like any revival without a star it’s going to be an uphill battle. And unlike the success of most revivals without stars I don’t think this show truly resonates well with wide audiences outside the performance and recordings of Barbara Streisand.
Maybe the show can take this unknown and make it an unmissable event If they can deliver the goods (I found her very very funny in Dolly). I’m skeptical they can though unless she is hiding one of the greatest voices ever heard on a stage. Otherwise is it really that special? Being funny won’t be good enough.
Give me claws and a hunch, just away from this bunch.