To clarify: we don't KNOW for sure that this will be a transfer of the London production. But in cases like this, hiring the same director usually means a remount of some sorts, even if there are some changes.
Of course there are exceptions - as we discussed in the Anything Goes thread, sometimes directors do start fresh when they direct material for a 2nd time. But Anything Goes is also a good example of how they usually don't start totally fresh. 99 times out of 100, if you see the same director attached, you can expect some form of a remount, even if it isn't an exact replica of the earlier staging. In this case, the fact that there's a new choreographer indicates that they're not doing a total 1-to-1 transfer, but I'll wager that when the design team is announced, we'll at least see the same set designer Michael Pavelka attached. If not, that will be very telling!
FWIW, I agree that the book of Funny Girl is pretty mediocre, particularly Act 2. I don't mind act 1, but oh man Act 2 is a real slog. And I agree that Harvey didn't help that at all.
I doubt the producers are relying on Theatre Twitter or this message board to make their decisions, but considering Beanie isn't exactly an A-lister who will appeal to the average tourist, it's probably not a great sign that the theatre community (who they'd be most relying on to create buzz) isn't reacting well.
I maintain for the record that I personally am excited to see Beanie in the role. I loved Sheridan Smith's performance, and she's probably a worse singer than Beanie, and undoubtedly a worse fit for the character on paper. I don't think the role requires Barbra's voice to work. I realize many in this thread disagree, and that's fine obviously. I won't harp on it too much longer, but just wanted to throw that out there to clarify that, even though I think she's a bad choice for the box office, I still think she's a good choice for the role. And those that say "literally no one wants to see her as Fanny" are incorrect. There's at least one!