jimmycurry01 said: "castlestreet said: "Unless you hit it out of the park with this one - no matter who directs there are going to be many unfavorable comparisons to the original which many believe is one of the top ten greatest movies ever made."
While I'm not saying you are wrong, I think you overestimate the number of people in the primary demographic who are familiar with the original movie. We, who are under 45 and enjoy classic films, are a bit of a niche crowd. The 35-45 year olds are a bit more likely, with the 25-35 year-olds significantly less likely to be familiar with the original. I don't think there would be as many comparisons as you think, but I also think this would be a rather hard sell to the general public."
Yes - and the one demographic who certainly IS familiar with BIlly WIlder's original 1950 film are film critics. Any remake (musical or otherwise) of SUNSET BOULEVARD is pretty much assured to be lacerated by critics. Heck, even theatre critics largely disliked the musical's score and adaptation of the screenplay when it first opened. Thus creates a big part of the challenge of this project. Who is this movie for? Who is the audience? Certainly many of us musical theatre fans would love to see it, but if I were a film producer eyeing how unlikely it is that this film gets good reviews, finds an audience, and actually turns a profit - I'd have to pass on it - even if the role of Norma Desmond could potentially get an Oscar nomination for its leading lady.
Truly, the only reason to make this film was really if there were some outrageously huge film star who was starring in it. Back in the 90s, maybe that would have been Streisand, but frankly, I can't think of ANY actress who currently could insure box office for it.
I truly applaud Ms. Close and her fidelity to the show and her drive to see it turned into a movie. Frankly, it's a shame the original Broadway production wasn't filmed for distribution in 1995. That would have been the most viable option.