Posted: 2/21/23 at 9:34am
I wasn't able to snag a ticket to first preview before it sold out, and the resale prices are insane, so if anyone needs to part with a single ticket for first preview I would love to take it off your hands. :)
Posted: 2/21/23 at 11:57am
Some premium 3rd row seats just popped up! Still extremely expensive but at least you wouldnt be giving to scalpers!
Posted: 2/21/23 at 12:56pm
Trying to buy a ticket. Tickets for the first month are insane, but then in April there's plenty of seats available in much more affordable prices.
Posted: 2/21/23 at 1:03pm
Posted: 2/21/23 at 1:12pm
Could it be -- at least based on my experience at least -- most people simply just aren't looking to buy tickets so far in advanced anymore? Most of my ticket-buying habits as of late have been purchasing tickets no more than 1 month prior to a performance. The interest and hype is definitely there, so perhaps most people just are waiting until certain factors (i.e. the economy, personal life matters, etc.) fall into place before purchasing these (really expensive) tickets.
Posted: 2/21/23 at 1:13pm
I wouldn’t underestimate Groban’s fanbase.
Also, after the 2007 film, the title is much more familiar to the general public now.
Posted: 2/21/23 at 1:14pm
I am exactly the same way, just in the past (and even recently with music man) shows with big stars were extremely well sold for months in advance. I know Groban is no Jackman but he still has a massive fan base.
Updated On: 2/21/23 at 01:14 PM
Posted: 2/21/23 at 1:18pm
Alex M said: "CindersGolightly said: "I wasn't able to snag a ticket to first preview before it sold out, and the resale prices are insane, so if anyone needs to part with a single ticket for first preview I would love to take it off your hands. :)"
Some premium 3rd row seats just popped up! Still extremely expensive but at least you wouldnt be giving to scalpers!"
Ugh. Saw this too late and they're gone now. Thanks for the heads up anyway, Alex!! Much appreciated.
Updated On: 2/21/23 at 01:18 PM
Posted: 2/21/23 at 1:24pm
When a well-known classic musical is revived, it's not a surprise for it to do $1M+ in its first 6-10 weeks, maybe a little longer. After that is when you need to start scrutinizing the numbers. Look at COMPANY, COLOR PURPLE, CAROUSEL, FIDDLER, SAIGON, Beanie's early weeks in FUNNY GIRL, etc. They all start strong and drop off when the audience is exhausted. So it's just a question of how much that will drop with Groban. Reviews & awards might help, and his fanbase nicely overlaps with Broadway's key demos, but it probably requires consistent sellouts at full-price + extensions to make actual money. COMET was solidly in the $900k-1.3M range for the length of Groban's run, which is of course encouraging since SWEENEY should be a hotter title than that.
We should not put any stock in the film driving significant interest. If a film could really drive interest to full-price Broadway sales, then ALMOST FAMOUS, FROZEN, GROUNDHOG DAY, and BEETLEJUICE might still be running.
SWEENEY is oft-revived and oft-filmed. If people are interested in the property but don't love Groban or Ashford, you can choose to watch Lansbury & Hearn, LuPone & Hearn, Thompson & Terfel, Depp & Carter, or any number of YouTube videos.
Updated On: 2/21/23 at 01:24 PM
Posted: 2/21/23 at 1:28pm
Yes! Ticketmaster just released about 12 tickets per show in Rows B and C in right and left Orch for the first two weeks of performances. Waiting paid off, I got Row B on on the aisle :)
Posted: 2/21/23 at 1:38pm
I've never sat in the Lunt-Fontainne before. Do people recommend the rear orchestra or mezzanine?
Posted: 2/21/23 at 1:38pm
$399? That's ticketmaster's dynamic (scalping) price. Comparable seats prob originally sold for $250?
Songofpurplesummer2 said: "Yes! Ticketmaster just released about 12 tickets per show in Rows B and C in right and left Orch for the first two weeks of performances. Waiting paid off, I got Row B on on the aisle :)"
Posted: 2/21/23 at 1:40pm
Posted: 2/21/23 at 1:40pm
I got my friend orchestra B center for the first preview for $249 the other day.
Posted: 2/21/23 at 1:44pm
TaffyDavenport said: "I got my friend orchestra B center for the first preview for $249 the other day."
How do I become your friend?!? Haha.
Posted: 2/21/23 at 1:46pm
Ha! I'll let you know when I'm taking applications. 
Posted: 2/21/23 at 2:15pm
Is it possible that they'll open box seats for first preview sometime this week? I was thinking about going down to the box office to see but I don't want to waste my time if there's no chance.
Posted: 2/21/23 at 2:55pm
I hate Ticketmaster. Haven’t been able to buy any tickets. Keep getting error message.
Posted: 2/21/23 at 3:25pm
I don't think this theater has box seats?
Posted: 2/21/23 at 3:36pm
Yes, there are box seats, and some of the are on there for resale for the second and third previews. Not sure what the regular price was though, and they're not labeled as partial view.
Updated On: 2/21/23 at 03:36 PM
Posted: 2/21/23 at 3:59pm
Apparently there is a production of Sweeney happening now in Sweden. I went on the website and interestly the set design also uses circular portals. I'm sure the Broadway design will end up looking very different but I do like what they are doing in the Swedish production.
You can click the arrows to look at the photos on the main page of the website:
https://www.operan.se/en/repertoire/sweeney-todd/
Posted: 2/21/23 at 4:44pm
There's also one at Signature Theater in Virginia.
Posted: 2/21/23 at 4:57pm
Resale box seats are there for the first preview now, too. Maybe I missed them when they were standard tickets, but I have a feeling they might be there due to Ticketmaster's usual backroom dirty dealing.
Posted: 2/21/23 at 11:13pm
ErmengardeStopSniveling said: "When a well-known classic musical is revived, it's not a surprise for it to do $1M+ in its first 6-10 weeks, maybe a little longer. After that is when you need to start scrutinizing the numbers. Look at COMPANY, COLOR PURPLE, CAROUSEL, FIDDLER, SAIGON, Beanie's early weeks in FUNNY GIRL,etc. They all start strong and drop off when the audience is exhausted. So it's just a question of how much that will drop with Groban. Reviews & awards might help, and his fanbase nicely overlaps with Broadway's key demos, but it probably requires consistent sellouts at full-price + extensions to make actual money. COMET was solidly in the $900k-1.3M range for the length of Groban's run, which is of course encouraging since SWEENEY should be a hotter title than that.
We should not put any stock in the film driving significant interest. If a film couldreallydrive interest to full-price Broadway sales, thenALMOST FAMOUS, FROZEN, GROUNDHOG DAY, and BEETLEJUICE might still be running.
SWEENEY is oft-revived and oft-filmed. If people are interested in the property but don't love Groban or Ashford, you can choose to watch Lansbury & Hearn, LuPone & Hearn, Thompson & Terfel, Depp & Carter, or any number of YouTube videos."
I have taken note of the frenzy for the first few weeks, and the drop-off after that, and assumed that a lot of the audience is there is to see a major revival (with a full orchestra) of one of Sondheim’s most famous musicals. Josh Groban helps, as he brings in a fan base too. (I happen to be going to New York City in mid-March - the only time I can go for a while - so I had to move more than quickly than I expected and consider myself fortunate that I did.)
But I have never assumed Sweeney Todd will be the box office draw of The Music Man with Hugh Jackman or anything close to that even if the reviews are great. It’s a Sondheim revival, which means there will be intense interest for a while, which will likely fade. I would be very pleased to be wrong but decades of history says I’m probably not. I think the people who have bemoaned the high ticket prices will have little trouble getting good tickets in a few months, and maybe by April or May (or later if word of mouth is good).
Just wait, everyone. You’ll end up with better seats than me, and not on a Wednesday evening, and you’ll probably pay less.
Posted: 2/21/23 at 11:30pm
This board was also predicting Kimberly Akimbo would barely survive opening night.
I’m encouraged for Sweeney’s run, but it’s too hard to predict the longevity of a production we haven’t seen yet. Anything can happen from word of mouth and reviews, good or bad.
I think we need to take into account Fisher and Matarazzo selling some tickets. Also, Ashford has been making quite the name for herself in television.
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