Jonathan Bailey and Ariana Grande in SITPWG? — Page 2

When I was going through an Audra interview deep dive she talked about the Puffy revival of Raisin (a crazy thing that actually happened) a lot and how at first it was strange to have audiences with "poor theatre etiquette" but in the end she really enjoyed it because she realized how many people in the audiences were experiencing something for the first time.

It really resonated with me at the time and has only resonated more the longer I work in the industry. Yes, a pop star is bound to bring in audiences that are perhaps are a bit more frenzied than your typical theatre patron but it's exciting that they're excited to be there!"

This is a really nice sentiment, but I don’t understand why “experiencing something for the first time” can’t also include (as it did for so many of us at some point) learning how to respect fellow audience members and performers, and being held to those very reasonable standards. I’m glad Audra was eventually able to enjoy it, but I can also understand how someone who cares deeply about a piece and paid tons of $ for a single chance to see it and feel fully present might not be able to enjoy it in the same way. Hooting and cheering and standing after songs, an occasional audible reaction to a line, getting up to use the bathroom - fine. But using a phone with a bright screen in others’ sightlines, talking through the show, crinkling chip bags, singing along, and similar behavior has never made sense to me as “ok,” unless the show is explicitly inviting it for a specific reason. I’ll be excited to see this if it truly does come to fruition - they're both excellent for the roles! And if it does, I hope that audiences are held to a reasonable standard.

Updated On: 12/16/25 at 02:12 PM

Mickey3309 said: "When I was going through an Audra interview deep dive she talked about the Puffy revival of Raisin (a crazy thing that actually happened) a lot and how at first it was strange to have audiences with "poor theatre etiquette" but in the end she really enjoyed it because she realized how many people in the audiences were experiencing something for the first time.

It really resonated with me at the time and has only resonated more the longer I work in the industry. Yes, a pop star is bound to bring in audiences that are perhaps are a bit more frenzied than your typical theatre patron but it's exciting that they're excited to be there!"

This is a really nice sentiment, but I don’t understand why “experiencing something for the first time” can’t also include (as it did for so many of us at some point)learning how to respect fellow audience members and performers, and being held to those very reasonablestandards. I’m glad Audra was eventually able to enjoy it, but I can also understand how someone who cares deeply about a piece and paid tons of $for a single chance to see it and feel fully present might not be able to enjoy it in the same way. Hooting and cheering and standing after songs, an occasional audible reaction to a line, getting up to use the bathroom - fine. But using a phone with abrightscreen in others’ sightlines, talking through the show, crinkling chip bags, singing along, and similar behavior has never made sense to me as “ok,” unless the show is explicitly inviting it for a specific reason. I’ll be excited to see this if it truly does come to fruition - they're both excellent for the roles! And if it does, I hope thataudiences are held to a reasonable standard."

I think the issues you named go a bit deeper than theatre etiquette tbh. The things Audra mentioned were more reacting to the show which you list as acceptable. Things like talking during a performance generally signal a lack of etiquette in general, not just a lack of understanding of how to behave in a theatre. And there's not really a way for Broadway to handle that because society as a whole has been unable to  find a way to deal with it. Not to be like "that's just the way it is now" but for certain things, that's sadly just the way it is now.

Dancingthrulife2 said: "Imagine what a train wreck it would be?"

Why a train wreck? Because of fans? Do you feel like he can't act the role? (just curious)

I’d love for Bailey and David Corinswet to star in a revival or a film version of City of Angels. Not that he and Ariana aren’t good casting for Sunday but just because City Is more in need of reviving.

Updated On: 12/18/25 at 07:25 AM

MadsonMelo said: "I was actually thinking about musicals that Grande could be great and thought that maybe Legally Blonde could be very good, but My Fair Lady... oh my!"

oh my in a good way?

This is far, far down the line but the production apparently wants the Jacobs at some point in 2028 when this transfers. THE OUTSIDERS started a slow descent in its grosses last summer but it’s still in okay shape at the moment.


 

 

Updated On: 1/14/26 at 07:55 AM

Agreed, Color. She is the real star of this for me. Already freaked out at the idea of ticket prices but also incredibly excited. So many possibilities.

I'm curious how long this surely "strictly limited engagement" will likely be. 

It’s official: https://www.instagram.com/sundayparkstage

Barbican, Summer 2027. Directed by Marianne Elliott with design by Tom Scutt.

Updated On: 1/14/26 at 12:04 PM

Realistically, what are the chances this transfers to New York?

WiCkEDrOcKS said: "It will absolutely come to New York."

Front row $500

WldKingdomHM said: "WiCkEDrOcKS said: "It will absolutely come to New York."

Front row $500"


At least triple that.