Understudy Trifecta!
I bought a discounted ticket to see the show tonight, knowing Matthew Magnusson (a steadfast, handsome Bobby) would be on for Groff. I didn't get the recent BWW update, so didn’t expect to see the covers for Sandra Dee (a likable Larkin Reilly) and Connie Francis (the terrific Gabi Carruba). So for the first time, all three were performing together, and sadly the rhythm of the show was off. It didn’t help that the sound person might have been an understudy as well.
I was wowed by the show back in March and wanted to revisit it because I’m a fan of most of the songs, the crackerjack orchestra, the design, and the overall entertainment factor. After seeing the show tonight, I’m more convinced than ever that it worked in the first place largely because of Groff’s charm, wit, timing, and effervescent energy. His commitment to the choreography, his gift of repartee, and so much more.
The book showed its weakness more than before, and both that and some of the mediocre songs desperately need someone of Groff’s caliber to carry them. When the show tours, that will become even more crucial. And shifting to a proscenium stage would strip away the cabaret vibe that made this production so special. For me, the 3/4 thrust and intimate setting is a big factor in the show's success.
I totally understand the circumstances weren’t ideal this weekend (with a dull crowd to boot), and I always cheer on an understudy—it’s a tough job. My reason for making this short observation is simply to say that I think the show truly hinges on having a magnetic leading man—someone with that rare combination of star power and captivating stage presence who can transform the entire production.
Updated On: 11/30/25 at 12:31 AM