Starting a new thread since this is likely not related to Diane Paulus’s A.R.T. production after all. Got a tip that this actually is a production coming directly to Broadway, and that it’s being directed by (yawn) Sam Gold.
Battle of the avant-garde deconstructed R&J’s, I guess.
EDIT - Confirmed. Previews starting September 26th, with an official opening of October 24th, at the Circle in the Square Theatre: https://romeoandjulietnyc.com/
Does Sam Gold have some kind of lease at Circle in the square?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
A combination of factors lead me to believe Kit and Rachel aren’t connected to the A.R.T. production:
Reps for A.R.T. told BWW that no announcement was forthcoming, which is a strange thing to say if your two leads just loosely announced it in tandem on their own social media pages; and
I was told explicitly that they were coming to Broadway in a production directed by Sam Gold.
Now, my source could be lying or just misinformed, but crazier things have happened. I personally find it absurd that we now have (potentially) three fairly-to-very high profile productions of this extremely overdone Shakespeare play duking it out for space on Broadway, but these are weird times.
It may be heresy to say but I think R&J onstage is… not super compelling. For me, it’s easily one of the weakest of the most commonly produced Shakespeare plays. I’ve yet to see a production that fully clicks the way I’ve seen Twelfth Night, Macbeth, Lear, Richard III, or Midsummer often do.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
If we’re choosing between Sam Gold and Jamie Lloyd, I’d choose Gold. At least with him you have the possibility of…anything. With Lloyd you know exactly what it’ll be. No sets, no shoes, tshirts/jeans and cameras for some reason. And at this point to quote Miranda Priestly… “Groundbreaking.”
True, yet his last (only) two Shakespearean productions on Broadway were so awful (admittedly IMO) the thought of him doing a third honestly made me groan when I saw ColorTheHours048's post.
Jordan Catalano said: "Sam Gold did give us Enemy of the People, Dolls House pt 2, Fun Home… all of which I loved. So he’s got some good stuff in his resume."
Didn’t Joe Mantello do most of the heavy lifting with Fun Home?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Sam Gold is one of the most wildly inconsistent directors working today, so there’s no way to predict how this will go if it pans out. He doesn’t have a distinct directing style I’ve ever been able to decipher and his work with actors seems more related to their innate talent than his own ability to conjure a good performance.
Call_me_jorge said: "Jordan Catalano said: "Sam Gold did give us Enemy of the People, Dolls House pt 2, Fun Home… all of which I loved. So he’s got some good stuff in his resume."
Didn’t Joe Mantello do most of the heavy lifting with Fun Home?"
Mantello was involved with the show very, very early on (he was announced for it back in 2009 right when Kron and Tesori started work) but at some point he departed and Gold was involved once it was entering on-its-feet workshop development in 2012. He was heavily involved in developing the show at that point, so it's definitely not fair to say Mantello did the heavy lifting. As far as I'm aware, Mantello never directed it even at a formal reading level.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Oh, I was under the impression Mantello “ghost-directed” the show. Must be conflating the story it with another show.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
His work on Fun Home was spectacular especially given how different the Public version was to the in the round Broadway version to the totally different tour version.
ColorTheHours048 said: "Sam Gold is one of the most wildly inconsistent directors working today, so there’s no way to predict how this will go if it pans out. He doesn’t have a distinct directing style I’ve ever been able to decipher and his work with actors seems more related to their innate talent than his own ability to conjure a good performance."
He's quite toned down on Enemy of the People. Maybe he just wanted to put the trust in his wife's adaptation and play it mostly straight.
I'd argue that Jamie Lloyd did alter things a little with The Effect (and it seemed more dynamic than say a Doll's House, and I felt that way having only watched the streamed version)