There’s no greater artistic failure than crafting a role around Eden Espinosa over the span of six years, and the fruit of that labor is a bland performance of a poorly written character, a score she cannot sing (she is nails-on-a-chalkboard flat multiple times per song), and no chemistry with her two (three?) love interests. Eden also reads waaayy too old for the part: this is a young woman’s story of Tamara from 18-33. Even if there was a magnetic starmaking performance at the center of the show it might only improve things by 10%, but at least the songs would be listenable and we might want to root for her more. After the one-two punch of this and GARDENS OF ANUNCIA, I struggle to see why anyone would ever cast Eden Espinosa again…her voice is shot, her acting is surface-level, and she's a black hole of charisma.
Every actor feels like they’re in a different show (a mix of problems with writing, acting, and directing), the ensemble has no function, and the design looks better in pics. There is an interesting musical about a love quadrangle buried in this misguided love triangle. Beth gets the eleven o’clock number bequeathing her husband to Tamara, but there’s no setup so no payoff. Samonsky is a wet blanket and their non-monog marriage would be interesting if actually explored. Amber Iman’s voice sounds great but her performance is of a different show. George Abud radiates presence even when standing still but his intensity feels out of place.
If I had to play show doctor, I’d say move the press opening back 10 days (the final day of the season), fire Eden immediately and replace her with literally any other Elphaba or Angelica Schuyler, refocus the beginning of the show and final third, and try to shave the show down to focus on Tamara + her three loves. But if they couldn’t crack that over the past decade I don’t see it happening in 20 days.