I sometimes worry that Amber Iman, who I have seen often but not in this, is destined to be in shows that aren’t good enough for her. She’s in two other musicals that are intended for Broadway. Both need a fair amount of work, and Iman is wasted in Hippest Trip, the Soul Train musical. She’s the star of Goddess and was terrific, but that show had book (and score, except for a few songs) problems that I fear will be tough to overcome barring a major overhaul.
Rachel Chavkin seems to have emerged relatively unscathed from all of this. (It doesn’t hurt that Hadestown keeps plugging away across the street.) The reviews were bad but the most pointed critiques didn’t seem to be aimed at her.
Updated On: 5/3/24 at 03:02 AM