As much as I think the show is mediocre and past its prime, I'd love to hear how Gary Beach does in the best number in the show, "Master of the House."
just got back. it was simply amazing and breath taking and in fine, fine shape. the cast is absolute perfection. i dont even have any constructive criticisms.... flawless in my mind.
Just got back (4th row center orch) - loved it - EXCEPT Daphne as Fantine was HORRIBLE. Is she sick? Did she lose her voice completely? Everyone sitting around us at intermission agreed. Someone went to check with a production person and found out no, that's her voice. Wow. I can't see how they put her in that part, "I Dreamed a Dream" was the abosolute worst I've ever heard it (have seen Les Mis 20 times now), was actually irritating to hear.
Also, Eponine was the BEST we've ever seen....
Just my (and wife's) opinion. Show was great, except for her. I was actually glad when she died, got her out of the show....
[i]I was actually glad when she died, got her out of the show.... [/i]
OUCH!!
Were there changes in the book/score? What about the set? Did it run long? Stop at all for tech reasons?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Ok, this is definitely an Eponine fan question: Does Celia do the kiss before she dies in A Little Fall of Rain, that almost-kiss, or just no attempt at all? For some reason, I find it interesting that some choose one way, and some choose another.
Hey everyone (I was in Row E, right orchestra). Celia did the almost-kiss where she reached up to Marius and almost got there but he pulled away. It was kind of hard to see from my seats though.
Kinda tired, so don't remember too many changes, but there were some. I'm sure others will chime in with changes. WE had a great time, and even after 20 times my wife was still crying at the end - so was the guy next to me. LOngest ovation was after "Bring Him Home", done very well in exceptional voice. I was most impressed with Celia, and also kudos for Norm on a great Javert and Gavoroche was excellent.
Also, whoever was using the camera up on the left (from the show) was making a LOT of noise as he moved the camera on the tripod. VERY irritating!
Some quick thoughts--it was my first time ever seeing the show and I cried throughout the second act.
The positive:
Alexander Gemignani is flawless as Valjean--his Bring Him Home was beyond amazing.
Norm Lewis' voice was captivating, especially during Stars.
Celia Keenan Bolger was wonderful.
Gary Beach was terrific--just completely wacky.
Many individuals who I'd never gotten to see onstage before stood out to me, especially Aaron Lazar.
The negatives--
The theatre seating--I know it's common in alot of theatres, but it was cramped in there--no knee room, and if you're stuck sitting behind a tall person, you're screwed. I had a guy with a fairly large head sitting in front of me and had to keep shifting from side to side just to see the stage and still missed alot. (I was near the back of the Orchestra.)
The biggest negative--Daphne. She was far worse than I expected her to be--She sounded like a dying cow during I Dreamed a Dream--totally ruined one of my favorite songs in the show for me and I couldn't wait for Fantine to die. Surely better people auditioned for the role--what were they thinking??
I saw a summer production of this put on by a youth theater group consisting of 14-23 year olds (with the exception of those who played Young Cosette, Young Eponine, and Gavroche) and was bored out of my mind. However I really wanted to see the tour, never got to, and now want to see it on Broadway.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
The ensemble was great - there was one guy I recognized - turns out he was in the final Broadway cast and the touring cast. He reminds me (looks-wise) of Nathan Lane.... He's very good!
I was worried that they would use "Ten Little Bullets." I don't really like it myself. I think it makes Gavroche sound more dark, which would be more true to the novel, and also as if he knew he was going to die, which he doesn't expect.
Lyrics (from the Complete Book of Les Mis): Ten little bullets in my hand ten little snipers neat and clean-- one for the king of this great land two for the aristocracy three for the bishops and the clergymen four for the prefects of police--
give me a chance, I'll take the lot of them-- ten little chances to be free Close your eyes, I'll say when, count to ten.