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LIBERATION Reviews

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EDSOSLO858
#1LIBERATION Reviews
Posted: 10/28/25 at 8:31pm

10pm embargo lift per Feldman. 


- You'll be back! Emus can't help people customize and save hundreds on car insurance with Liberty Mutual. You're just a flightless bird! - No. He's a dreamer, Frank.

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Jordan Catalano
#2LIBERATION Reviews
Posted: 10/28/25 at 10:06pm

Positive from Variety

KevinKlawitter
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Jordan Catalano
#4LIBERATION Reviews
Posted: 10/28/25 at 10:07pm

The Wrap is positive

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Jordan Catalano
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Jordan Catalano
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Jordan Catalano
#7LIBERATION Reviews
Posted: 10/28/25 at 10:09pm

NYTimes Critics Pick

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Jordan Catalano
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Jordan Catalano
#9LIBERATION Reviews
Posted: 10/28/25 at 10:12pm

Positive From AMNY

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Jordan Catalano
#10LIBERATION Reviews
Posted: 10/28/25 at 10:13pm

Daily Beast Loves It

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WiCkEDrOcKS
#11LIBERATION Reviews
Posted: 10/28/25 at 10:30pm

I really, really hope these raves move the needle for this one. 

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EDSOSLO858
#12LIBERATION Reviews
Posted: 10/28/25 at 10:50pm

DTLI Consensus: Sharp, funny, and moving, the feminist ensemble piece of the Broadway season has just arrived — and it simply cannot be missed.

16 positive (including the NYT).

https://didtheylikeit.com/shows/liberation/


- You'll be back! Emus can't help people customize and save hundreds on car insurance with Liberty Mutual. You're just a flightless bird! - No. He's a dreamer, Frank.

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BroadwayGirl107
#13LIBERATION Reviews
Posted: 10/29/25 at 1:41am

Oh, I am tearing up at these reviews. I really hope this critical response can bolster this show and turn it into the hit it deserves to be. 

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rosscoe(au)
#14LIBERATION Reviews
Posted: 10/29/25 at 7:44am

When was the last a show got 16 positive major reviews.  Ravi to them.


Well I didn't want to get into it, but he's a Satanist. Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino. This should help you understand the score for Wicked a little bit more. Tazber's: Reply to Is Stephen Schwartz a Practicing Christian

Amy Archer
#15LIBERATION Reviews
Posted: 10/30/25 at 4:05pm

Even a positive review from Johnny Oleksinski, New York Post! 

‘Liberation’ review: Stellar acting in a Women’s Lib play on Broadway

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Play Esq.
#16LIBERATION Reviews
Posted: 10/30/25 at 6:10pm

It’s a very good play, albeit a little pedantic.  That said: It’s not beating Giant. 

Ensemble1728379893
#17LIBERATION Reviews
Posted: 10/31/25 at 8:51am

I have seen both Giant and Liberation.  I think Liberation is a better play.

1 Minute Critic
#181 Minute Critic, 4 stars
Posted: 11/1/25 at 6:37pm

1 Minute Critic - 4 stars

Liberation balances both intellect and heart, which makes for a remarkable night of theater. As Lizzie gets closer to understanding her mother’s multi-faceted ambitions, one last trip through time may leave you sobbing. Full review here

MemorableUserName
#191 Minute Critic, 4 stars
Posted: 11/1/25 at 7:03pm

rosscoe(au) said: "When was the last a show got 16 positive major reviews. Ravi to them."

Purpose and Oh, Mary!

Amy Archer
#20LIBERATION Reviews
Posted: 11/2/25 at 10:23am

What is unique is that Liberation has 17 positives, without any mixed or negatives. 

LIBERATION Reviews

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Jordan Catalano
#21LIBERATION Reviews
Posted: 11/2/25 at 4:05pm

Has anyone seen if they have Windowcards yet?

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Auggie27
#22LIBERATION Reviews
Posted: 11/8/25 at 8:09pm

MILD SPOILERS, PLAYWRITING CRAFT NOT PLOT:

The critics got this very right. Everything can feel oversold, but Bess Wohl's play is that rarity: a script and production that somehow still offer more than what's anticipated. In outline, the play sounds schematic, a 70s consciousness raising group's evolution seems a predictable construct, with erupting internecine warfare and dollops of revelation and heartbreak. Yet from the outset, the piece refuses to fit squarely in any genre, to milk familiar tropes; at times - using meta self-awareness with genuine innovation - Wohl takes Wilder's conceit in The Skin of Our Teeth - these actors are all aware they're players - and pushes it forward in bold new ways. Wohl isn't exploiting a narrator merely for storytelling shorthand; she's commenting on how theater itself frames, explicates, sometimes reductively simplifies sociopolitical themes, remarkably while presenting a straightforward account of a protagonist's personal investigation of her origin story. One character's second appearance creates one of the most original uses of a broken 4th wall I've ever encountered, and manages to illuminate an entire sub-theme. As the second act deepens everything introduced in the wildly entertaining first act, the play mixes up its actors' tasks to amplify its protagonist's family in profoundly moving ways. The house this afternoon - blessedly sans the distraction of telephones - left in tears, thanks to the play's ideas and the thrill of their execution. It's only a 14-week run, and to me, truly unmissable


"I'm a comedian, but in my spare time, things bother me." Garry Shandling


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