really would like this cast to come to B'way!! maybe the Schoenfeld??
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I wouldn't say it "bombed." It was around for awhile.
I don't really see Constantine as the lead. He doesn't really come across as "nerd" to me. But I guess they wanted a name or something to sell tickets. I'm sure this will come to Broadway now with him attached. But Davis as the girl? Her voice is awful from what I remember in "Death Takes a Holiday."
It did run for a long time, but it did not sell very well after the first month or so of the run. The show was stupid, silly fun at best, and perfect for the off-Broadway of New World Stages.
I know they are claiming this is a "revised" version, but this will feel like Lysistrata Jones does on the Broadway stage. Sarah Chase was actually kinda hysterical in the lead female role, but it the show was really like a series of SNL skits propped up by the high energy of the cast.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
Well the good news is Nancy Opel is reprising her dual roles. She was a MUST have from the off broadway run and I'm glad they got her.
Constantine will sing the **** out of the score but he's not physically imposing like Nick Cordero. I'll have to wait to see if he can play nerdy. All in all not a bad choice if Cordero isn't doing it.
The head scratcher is Mara Davi. I knew Diana Degarmo wouldn't be back, even though I thought she was fabulous as Sarah. Bad timing. She's LA based right now with Ace Young because of her role on Y&R. But was Sarah Chase not available either? Updated On: 12/7/11 at 07:40 PM
Sara Chase, who was brilliant in this show in New York, has moved to the West Coast and (for the most part) quit the business.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
The Alley has never produced strong musicals-- premiere of JEKYLL & HYDE premiere of THE CIVIL WAR premiere of AN AMERICAN IN PARIS pre-Broadway tryout of WONDERLAND
All disasters. (The one exception is A FUNNY THING...FORUM which they did a couple of years ago with the resident company. For me, it was one of the best musicals produced in Houston in awhile.)
Because of the revisions, they are billing it as a new musical, and as of late they're focusing a lot on developing new work. This is great, of course, but only if they start doing shows that aren't revisions, movie adaptations, or written by Frank Wildhorn. I don't doubt, however, that AVENGER will be well-produced.
"I believe that art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, to engage in a constant search for the truth."
- Barbra Streisand
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
The Alley has never produced strong musicals-- premiere of JEKYLL & HYDE premiere of THE CIVIL WAR premiere of AN AMERICAN IN PARIS pre-Broadway tryout of WONDERLAND
All disasters.
You forgot Svengali and The Czar of Rock and Roll, which truly were disasters. And they have had success in recreating other musicals such as Forever Plaid (which was a HUGE hit at the Alley and was extended numerous times) and Little Shop of Horrors.
BUT...The original Jekyll and Hyde production at the Alley was highly acclaimed and received national attention. The success of that production was the sole reason the show went to Broadway. The disaster occurred when the producers decided to depart completely from the original production. But the show itself has seen success in tours, international, regional and amateur productions. It's becoming something of a standard, which is hardly a "disaster".
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian