My friend is in LA today to audition for producers. He was given the script by the casting person at the SPRING AWAKENING auditions this weekend in SF. He also was told that he had a really strong audition for SA.
He said the script that he has for GLEE is really good. He's exciting to meet the producers.
RIGHT NOW: Closing DISNEY'S WHEN YOU WISH at Marquee Productions (Apr. 23-26)
NEXT UP: Playing Albert Peterson in BYE BYE BIRDIE at The Western Stage in Salinas, CA (Aug. 15-Sept. 5)
Photo: Nick Adams - BEAUTIFUL!!!
My friend Brandon works at a FOX affiliate and watched a screener of the pilot and said it was as bad as FOX's short run DO NOT DISTURB. He says it has that 'we think we're being funny and clever' tone to it like every single FOX TV comedy that's ever aired on that network and failed miserably. He said it was painful to watch.
Hey, at least they got paid for the episodes that were indeed filmed, even those that won't see the light of day.
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
As much as this sounds like a blast to me, I just don't think musical shows have much of an audience, as evidenced by...well...everything. While you can't really blame the genre itself for Viva Laughlin's failure (that crap of a remake was doomed from the start), there aren't really any shining examples of successes for TV Musicals. Which is odd considering some of the good TV shows that have musical episodes (Buffy, Scrubs), but which kind of makes sense when you consider Cop Rock. Sadly it seems anything with even a touch of musicality to it is fodder for cancellation, as evidenced by Pushing Daisies and Eli Stone.
I agree that it sounds like a dark High School Musical. It seems very campy, which could work. It's also very ambitious and risky, I hope they find an audience for it.
How can you talk TV musicals and not mention the excellent Flight of the Conchords? I'm a bit worried about how the second season's going to be, since they're going to have to write new songs instead of using their time-tested material on it, but the first season was hilarious.
Anyway, I imagine that the numbers in this will be in a performance context, which strips away one layer of disbelief for those oh-so-sensitive audiences who apparently can't handle singing onscreen.
But that script...erm, wow. I'm an absolute sucker for uplifting stories about great teaching, so I hope that's a fake, because if it isn't, the performers are going to have to be amazing to make those plodding lines work. And there were about 3 funnyish bits in the whole thing. This is still being marketed as a comedy?
(Also, if I were making a TV show about insane student musical subcultures, I'd totally go for college a capella instead.)
Updated On: 1/7/09 at 08:46 PM