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New York Magazine Panel: Pick the Greatest Musical — Page 2

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#26

New York Magazine Panel: Pick the Greatest Musical

I like City of Angels, but I wouldn't put it in the same category as Gypsy or Carousel. And it's funny, I think I'm one of the only people who really loves Act 2 of Sunday... .
#27

New York Magazine Panel: Pick the Greatest Musical

"Yeah, I think it's only American musicals. But I doubt this group would consider Les Miz one of the greatest musicals of all time."



Very true. In fact, a friend of mine who has worked closely under Tunick told me he said that Les Mis is what, in his opinion, has single handedly ruined musical theatre.
"I'm an American, Damnit!!! And if it's three things I don't believe in, it's quitting and math."
#29

New York Magazine Panel: Pick the Greatest Musical

Thanks for posting this. It was really fun to read and definately enlightening. I was impressed and pleasantly surprised by Ephron.
kchenofan's computer is broken right now. This is her fridge. Now, you can leave a message, but say it slowly, so I can write it on a post-it note and stick it to myself.
#30

New York Magazine Panel: Pick the Greatest Musical

It's a great article. I would have loved to be a fly on the wall. Ok, who am I kidding, I would have plopped right down at their table and joined in the argument.

I can't believe the King and I made the final shortlist. I loathe that show. It sends such a terrible message, and I don't think there's any aspect of the show those themes that redeems it for me like there are for other outdated musicals.
Like a firework unexploded
Wanting life but never knowing how
#32

New York Magazine Panel: Pick the Greatest Musical

Oh, I think King and I has wonderful characters, especially Anna, and a great book. The score leaves a bit to be desired sometimes. I wouldn't be as harsh as you, orangeskitlles.
#33

New York Magazine Panel: Pick the Greatest Musical


I'm with orange on this one. THE KING AND I bores me to tears, in both the movie and show incarnations. Aside from one or two songs, I find the score laborious and the book saccharine at best, offensive at worst. In my 30 years, that 1998 revival national tour is the only time I've ever dozed off at the theater... barring when my family dragged me to "The Nutcracker" at age 7.

CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
#35

New York Magazine Panel: Pick the Greatest Musical


And I would say to Nora Ephron in response, "I'll never forgive you for 'Bewitched.' Or 'Michael.' Or 'Hanging Up.' Or 'Mixed Nuts.' Or 'Lucky Numbers.' Or most of "Julie & Julia.'"

And then I'd punch her in the tit and we'd agree to disagree.

CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
#37

New York Magazine Panel: Pick the Greatest Musical


Oh, God. Oh, God, you're right. There's nothing more important than cleverness. I'm going to kill myself.

CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
#38

New York Magazine Panel: Pick the Greatest Musical

The King and I is a wonderful musical- truly one of the greats- especially if you cut "Western People Funny." And it's also a great stage-to-screen transfer.
#39

New York Magazine Panel: Pick the Greatest Musical

Great article and discussions here.

Now for my confession- Before this article I have never heard of,
"She Loves Me."

Hangs head in shame, and leaves..
#40

New York Magazine Panel: Pick the Greatest Musical

I really like The King & I, but I would not have put it on the short list. Even for Rogers and Hammerstein, the score gets a little too precious at times. I realize I may be in the minority, but I was actually a bit surprised there was no mention of Rent at all. Or the genius of Falsettos.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#41

New York Magazine Panel: Pick the Greatest Musical

I liked the article very much, and agreed/understood most to all points (besides Rich's comment that Cabaret was the only movie musical that bettered the stage version. As has been mentioned in this thread--The Sound of Music is 7,000 times better. I also think West Side Story made improvements; and on some levels--even Chicago).

Anyway, it was an interesting read. In regards to Nora Ephron, I like her "in theory", but most of her film work is SO mediocre/bad (to me anyway). I was confused as to why she was on the panel, but I get it now.
#42

New York Magazine Panel: Pick the Greatest Musical

Oh, Sally, you're in for a treat! It's a perfect confection, and the performances on the original cast album are delicious.

I actually envy you that you're going to get to hear Barbara Cook sing "Vanilla Ice Cream" and "Dear Friend" and "Will He Like Me?" for the first time.
#46

New York Magazine Panel: Pick the Greatest Musical

Just seeing the words "I don't know his name" on the screen made me hear her voice going up the scale as she sings the next five words: "...or...what...he...looks...like."

Beautiful!
#47

New York Magazine Panel: Pick the Greatest Musical

sally, you are DEFINITELY in for a real treat. She Loves Me is beyond lovely.

I thought it was funny that it was Nora Ephron who discussed She Loves Me at length, since I found that to be a better (and more forward thinking) adaptation of Parfumerie than You've Got Mail.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain. -Kad

Updated On: 1/12/11 at 02:12 PM

#48

New York Magazine Panel: Pick the Greatest Musical

And no mention of "A Trip to the Library"? For shame!

"...Optometrist!"

Pure genius.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#50

New York Magazine Panel: Pick the Greatest Musical

For me, My Fair Lady borders on being a little too long.

I do love "The King and I" and I think there are beneficial messages throughout the story. The King and Mrs. Anna learn to accept each other despite their differences. I also think that one of the most beautiful scenes occurs in the film version (which is the only one I've been fortunate enough to see)-"Shall We Dance?" in my opinion is one of the most sensuous scenes in a musical. You can feel the heat between the characters and you realize what they feel for one another and how different it would have been between them in another time and place. Just my two cents.

I probably would vote for Showboat for historical reasons-without that you don't get a lot of other shows, including Oklahoma and Carousel. Showboat is very important as a piece-it has a very dark side to it and deals with heavy social issues. It is also a book musical as opposed to a revue which had been the norm.

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