"The play remains radical today, and for the same reason. It is unlikely, in our more sensitive, not to say timorous, age, that many playwrights would poke lively fun at such a dark period in American history. More important, the production, directed by Kenny Leon, Broadway’s go-to helmer of black-themed plays (“Ohio State Murders,” “A Soldier’s Play,” the 2014 revival of “Raisin&rdquo, reinvigorates the jesting that animates the antic action.
He is aided by a superlative cast, all of whom fling themselves into the proceedings with infectious gusto, while never letting us lose sight of the grim underpinnings of the humor."
I'm happy for them, but this is a surprising thing to do based on their grosses so far. I hope they don't end up having to backtrack and close earlier than the extension date.
Really surprised this extended an entire month. Congratulations to the cast and crew!
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
The grosses for this play have been abysmal, despite the good reviews. Same with the other non-musicals that aren’t Harry Potter. It’s pretty alarming.
The Distinctive Baritone said: "The grosses for this play have been abysmal, despite the good reviews."
I've been thinking the same thing. I want to see it while I'm in NYC the first week of January (and what was supposed to be the last week of the original run). I'm increasingly concerned that it will close well before that, which would be a damn shame.
It seemed to do very well during its preview period. It wasn't on TDF when I tried to see it, so I ended up paying $100 to see it through TKTS. Since opening and being well-reviewed, however, it doesn't seem to be doing very well at all.
bwayphreak234 said: "I think I'm the only person who wasn't enamored with this. Glad for their reviews, though."
I wouldn't say I was "enamored" of it, either, though I did think it was worth seeing. Its weak box office makes me wonder if word of mouth on it is not as strong as its critical reception would have you believe, though most posters here and on ATC seem as enthusiastic as the critics.
The Other One said: "It seemed to do very well during its preview period. It wasn't on TDF when I tried to see it, so I ended up paying $100 to see it through TKTS. Since opening and being well-reviewed, however, it doesn't seem to be doing very well at all.
I don't get it.
" It’s been on TDF for many dates, but they go QUICKLY. My friend cracked it and said to check between Saturday and Sunday afternoon for newly posted dates
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Won the $35 lottery for the Sunday evening show today and what a stunning experience. Honestly we would prob not have gone without winning but walked out of the theater shocked to our core at what we’d just witnessed. Total perfection in every sense, performances, script, set, costumes, design. I’m telling everyone I know to see this ASAP. Bravo!
TheGingerBreadMan said: "Would anyone who saw Willa Bost as Idella this weekend care to share their thoughts on her performance?"
She played Idella with less sass/tough love than VBC, but had more of a world weariness and a softer, nurturing approach. She definitely looks younger than someone who’s been working as a domestic for 45 years, but that didn’t really affect anything for me.
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I saw this earlier this week. I found it very enjoyable, thought the cast was very strong (not a big LO Jr. fan, but I though he was really excellent), but I did not love it.
My issue with this production is probably not fair: I would much rather have seen Purlie. Repeatedly though the play, which I had never seen before, I found myself reflecting on how terrific a job the book writer for Purlie had done in adapting the play into a musical. Then I found myself thinking how much I would love to hear song X instead of dialogue.
After the performance, there was an audience talkback. I actually asked if they had ever considered reviving Purlie, given the lead. Someone said that the estate would only let them do PV and Ossie Davis's daughter then explained that they wanted to go back to the work her father wrote. I did not say anything, but I did think to myself that Purlie would not exist if Ossie Davis had not written PV. PV is a very good play, but I would have enjoyed Purlie more.
Refecting on it, I think Purlie has always been an underappreciated musical; for example, the always mediocre at heart musical Applause won best musical and best score, which was a joke. The show was a hit because Lauren Bacall was terrific as Margo and there were a lot of good things in it, but the whole definitely did not equal the sum of its parts.
"Shoutylicious" would be my one-word review. Lots to enjoy in this well-acted production and lots of laughs. All the shouting at times made it difficult to understand what was being said and a couple of cast member's had pretty raggedy voices, understandable for the fifth performance of the weekend.
The set change before the final scene earned some well-deserved applause and the cast was generous received during the curtain call.
I felt the book in the final 5-10 minutes was not as strong as what preceded, but that is a minor quibble.
Sat last row center orchestra on the aisle and was reminded again what a pleasure of a theater the Music Box is and how friendly and helpful all of their staff are.
Finally caught this last night. I loved so much of it, but not Leslie Odom Jr.'s performance, sadly.
I found his diction to be atrocious. Truly, he was speaking PARAGRAPHS of dialogue and I could not tell you what a single line was. Made the first 20 minutes extremely hard to follow.
Thankfully, the stupendous (as always) Kara Young delivered on every level. As did all the supporting players.
I would've loved someone else to lead the company as it felt like Leslie never quite reached the level of excellence onstage around him.
It’s funny and pleasing how people can enjoy a show but for exact opposite reasons. Caught this Saturday afternoon and thought Kara was overacting to the extreme - so much it irked me Leslie I thought actually played the role somewhat subtly
Regardless I loved this I was shocker at how funny and poignant it was Titanique canceling led us there and I’m glad!