"None of the music was digitally enhanced. None. Only one note was lowered, and most of the actresses who play the part on stage have had it lowered as well, so I don't see the point of contention here. The lowered notes in Think of Me was to change it up a bit...I don't think I've ever heard any of the actresses sing it the same way. Roles on Broadway are ALWAYS taylored to fit the actor, so it isn't unreasonable for it to change slightly for the replacements."
If you're talking about the cadenza in THINK OF ME, then, yes, there are "lowered" notes there. But the very definition of "cadenza" means the musical passage is tailored for or improvised by the individual singer. In terms of range, however, THINK OF ME is still in the same key as the stage version so Rossum still ascends up to a B-flat. The only song Rossum sings one half step lower is the title song because the final verse was eliminated for some reason in the film. So instead of hitting a high E at the end of the vocalise, Rossum recorded an E-flat, which is still very high.
Having said that, I loved the film. Butler is not the best singer, but his acting was quite moving. Rossum was believable as a young developing soprano. Wilson was... bland. And for some reason, even after "studio magic," Wilson still somehow couldn't maintain pitch. He sang a lot of flat notes in the soundtrack and I don't quite know why that's the case, especially since Wilson is a Broadway singer. Go figure.
Updated On: 5/11/06 at 12:30 AM