witchoftheeast2 said: "Jordan Catalano said: "The first two rows don't appear to be on sale for any performance so hopefully they're reserved for some sort of rush seating to get the folks who know the shoutouts, to be able to come back again and again AFFORDABLY. Was wondering if there would be some sort of blocked out section for the Narrator to be in the audience somewhere but that doesn't appear to be the case.
All in all, it just appears to be standard Studio 54 seating which means large parts of this huge house won't hear the others when they cross shout. Just on paper right this minute, it sounds like a mess to me. I mean, if the cast on stage (who have mics) are responding to people up front (who don't), the audience upstairs or even in different parts of the orchestra will have no idea what people are laughing about or what cast responses even mean if they do go back and forth with the audience.
I'm rambling here but Roundabout got my money already and I'm sure they'll be getting more of it, so it's gonna be what it's gonna be."
Isn't that good because not everyone will want to hear people shouting? How about people who haven't seen the show before and actually just want to hear the actors?"
Yeah, that's not what Rocky Horror has become. Rocky Horror has become an interactive experience, and that is what audiences will expect. People don't go to Rocky Horror to politely sit there and enjoy the show in engaged silence.