Chorus Member Joined: 12/6/24
I didn't look precisely but I'd say a little more than 2.5 hours.
I thought it was fun, the pacing was a little funky in the beginning but it smoothed out after that. The performers were all fantastic.
Swing Joined: 2/1/25
It was about 2hrs and 40 mins with intermission. The audience was wild for it. However if I am being honest, it is almost word for word, beat for beat, the TV show just transposed on stage. The costumes were even the exact same as they wore in the TV show. I found myself bored by the first act, because it felt like no new choices were made. I liked the second act much better than the first act. I actually really liked Isabella McCalla, Ryan Vasquez, Kevin Del Aguila and McKenzie Kurtz. And the audience roared for Ann Harada. They do absolutely nothing new with the material, but it was charming. I can also see it evolving into something fresher over time.
SeenEnough2Judge said: "They do absolutely nothing new with the material, but it was charming. I can also see it evolving into something fresher over time."
I wish I could see the show because of this comment. Because as much as I have heard about the translation of Smash to the stage, it sounds like it has tried tons of new things to the point where it’s not necessarily the show we saw on NBC and it’s lost in a sea of different that doesn’t necessarily compare to its predecessor. I can’t attest to it until I see it, but of the two musical series to stage, I’d love to see Schmigadoon more. But that’s just my two cents that no one cares about but me. hahaha
Still processing my thoughts but i did not like this. I found it to be an absolute mess. Sara Chase was charming, but most material fell flat. Most of the audience around me wanted to know how much they loved it/know the show, but the material didn’t reflect that whatsoever
Broadway Legend Joined: 3/27/19
Yeah, I'd wondered about this:
https://www.vulture.com/article/theater-review-schmigadoon-onstage-at-the-kennedy-center.html
"Yet, for all its savvy reinvention of show tunes, the production’s handling of race strikes a discordant note. The TV series knowingly engaged with the way musicals of the ’40s and ’50s marginalized or caricatured characters of color without giving in to what the historian E.P. Thompson called “the enormous condescension of posterity.” And although it’s still engaged with the subject — the songs “Somewhere Love Is Waiting for You,” “He’s a Queer One, That Man of Mine,” and “I Thought I Was the Only One” sidle up to rather than soft-shoe away from prickly topics — the subtle self-awareness has been diminished for the stage. To state the obvious: Casting a white actor as Josh diminishes the opportunities for the show to probe these problems. Lines from the TV series about “color-blind casting” and “miscegenation” have vanished, as has Mildred Layton’s testy observation that Josh and Melissa make an “exotic couple.” Gone, too, is a scene in which Josh trades confidences with Emma Tate, the Black schoolmarm, about the “menace” Mrs. Layton. When Keegan-Michael Key’s character says to Emma, “So she’s got a problem with you, too … Yeah, that lines up,” there’s a flash in her anthracite eyes, as if he’s picked at a scab she never knew she had; no such tête-à-tête transpires in the Kennedy Center version (which, unlike the show, keeps the schoolroom set sparse, with no Abraham Lincoln portrait). On TV, when Josh presents Carson (Ayaan Diop), the lisping toddler town crier and Emma’s ward, with a kazoo he tells the boy: “When I was in school to be a doctor … there wasn’t anybody like me in my whole group. And to tell the truth, it got pretty lonely sometimes.” In the musical, the sentiment is genericized into: “The other kids made fun of me when I was your age too.”"
Broadway Star Joined: 3/29/23
An Affectionate Golden Age Schpoof in ‘Schmigadoon!’
https://www.nytimes.com/2025/02/03/theater/schmigadoon-review-kennedy-center.html?unlocked_article_code=1.uE4.iqAI.wvYCHyG6u45l
Since I can't fly cross-country for this, would someone mind spoiling the plotline they've added back in for Danny Bailey that Cinco Paul keeps talking about in interviews?
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