She's Back! CARRIE - First preview !!!
#200Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 11:03am
I never thought you could do a wildebeest stampede on a Broadway stage and have it be thrilling and highly effective until I saw Julie Taymor's work in "Lion King." She broke through a lot of those "you can't do that on stage" moments in the show.
She would know how to burn down a gym without resulting to pyrotechnics.
Maybe that's what this show needs. Julie Taymor. I wish I were kidding, too.
blocked: logan2, Diamonds3, Hamilton22
#201Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 11:04am
There were obviously a lot of people there last night who were very pumped to see CARRIE back on the stage. The show began with huge anticipation and some even applauded songs as they recocnized them. I would say that excitement started at an 11 but by the middle of act 2 was down to a 6. But yes, it got a standing ovation but I wouldn't call it a whole hearted one.
Marin and Molly do a joint curtain call.
I think the buzz afterwards was mixed. I did hear the composer mention to someone that they 'still have a lot of work to do;' which is a good sign.
They did not acknowledge Piper Laurie outside of the press interviews she conducted outside the theatre before the show.
Updated On: 2/1/12 at 11:04 AM
#202Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 11:14am
Updated On: 2/1/12 at 11:14 AM
a-mad
Featured Actor Joined: 8/25/11
#203Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 11:15am
Thanks MB... information appreciated.
I figured it got a standing ovation... but no one had mentioned it, so because of the overall "meh-ness" on the board, I thought I should at least check.
#204Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 12:08pm
The audio shows that the audience seemed behind the show for most of the night. I have to say i think the show sounds fantastic, i would make Eve Was Weak slower (and Marin needs to sing it out more, she sounds like she speaks through most of it). The only song i would cut is The World According to Chris which is dire (even with a very impressive ensemble). The book scenes work much better and everything is much more fleshed out and lines got laughs (humour is still in the show). The feel of the show however is much darker, sometimes quite chilling. I remember is STUNNING and the audience really reacted to it in a big way from what i can tell on the audio. The sound effects and music in the prom are brilliant with the fire alarm going off throughout and hearing those flames.
I would not really say it sounds Spring Awakening, it just sounds more up to date. Also the vocal arranger has done an incredible job, the ensemble (especially on IN) our fantastic.
Oh and please don’t ask for the audio because I won’t give it out as it was given to me in good faith, though I’m sure he will be happy too
Visceral_Fella
Broadway Legend Joined: 1/18/12
#205Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 12:28pm
Even though I had a lot of problems with the show, I can't stop thinking about it. There's something about it that's mysterious and haunting. I'm going to have to see it again.
This show has so much potential, I really want it to become what I know it can be.
#206Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 12:29pm
songanddanceman-
Not to undermine you, but the audiences at 99% of first previews, on or off-Broadway are always crazy. If you judged how much audiences like a show by a first preview audio then [tos] would be the greatest hit Broadway has seen in 10 years.
The sound was Spring Awakening-esque, but much more than the orchestrations was the direction in this vein. The chairs looked almost exactly like the classroom chairs used in SA, only painted black. The choreography was very similar too. It was more of a vibe the show gave off than the orchestrations in particular. If only they had been using handheld mics it would have been identical in spots.
Edit- I admit I'm thinking about it a bit too, but mainly in ways I think it can change for the better. The really good news is, in my opinion, despite a somewhat negative reaction there is stuff that can be easily fixed.
Molly Ranson alone makes it worth a visit to the show. Like I said above she's pretty stunning. If the creative team was heard saying they have lots of work to do, then good! It gives me hope that changes for the better will occur, and I'll be 100% making a repeat visit to see what they accomplish.
#207Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 12:31pm
Again, the show 'sounds' fine. The issues with what I and most others are suggesting are directorial.
CARRIE will probably ALWAYS work best as an audio listen in which your imagination can fill in the blanks and you aren't confronted with the visual difficulties of putting the story on stage.
#208Less than a week until CARRIE comes back to NYC
Posted: 2/1/12 at 12:34pm
For some reason, the Spring Awakening vibe and this Stephen King story just combined in my mind:
"King Awakening"
blocked: logan2, Diamonds3, Hamilton22
#209A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 12:50pmOh, well. Anyone for a revival of Moose Murders?
#210A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 12:56pmPJ- I've always wanted the MUFTIs to do a series of plays like Moose Murders, Me Jack You Jill and Ring Round the Bathtub. It would be a fun change of pace from their usual fare for one season.
#211A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:02pm
Pumped to see CARRIE back on stage?
The response on this board to this flop musical from the eighties (aka the new Golden Age for musicals) has bypassed "pumped" altogether and gone straight to something resembling co-dependence.
iluvtheatertrash
Broadway Legend Joined: 11/9/04
#212A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:05pm
I'm seeing CARRIE next week and very much looking forward, though from what I've heard, it seems like they were really afraid to "go there".
Ed_Mottershead
Broadway Legend Joined: 10/20/05
#213A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:07pmI saw Moose Murders at one of the two performances that Eve Arden gave. The play was awful but I had a great time anyway because the audience was full of middle-aged people who remembered Our Miss Brooks. The look on their faces at intermission was priceless.
#214A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:09pm
Shame on Lance Jonathan for making me sound like a stoned Muppet!
#215A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:11pm
"...the audiences at 99% of first previews, on or off-Broadway are always crazy."
They certainly were last night, but not nearly so much as some over-enthusiastic fans I've had the misfortune to sit near in the past.
It's a plea for deaf ears, but - if you really love a show, you're not making it pleasurable for others by being too vocal.
FindingNamo
Broadway Legend Joined: 7/22/03
#216A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:12pmI was with him until he DIDN'T make you sound like Janice, but rather Audrey II.
#217A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 1:48pm
Lots of great comments since I tuned out last eve. I'm looking forward to hearing about the changes as the preview period splatters on.
As for that audio recording, well.... I understand that my moniker begs to be made fun of... but couldn't he at least have used one of my zingers?
Also about the Terry Hands production -- I'm not as forgiving of it as some are around here. Sure, he took chances -- but that racquet ball court of a set was just wrong from the get go.
FindingNamo
Broadway Legend Joined: 7/22/03
#218A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:08pmPlease do not minimize the set's versatility. It was a racquet ball court with an electric garage door opener.
#219A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:12pmLOLOL Namo. And gawd knows they parked a hundred ridiculous choices in that garage.
#220A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:25pm
Excuse me, It was a raquetball court with an electric garage door opener, a big white stair case AND a flat of home depot hardwood.
They also had lasers.
#221A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:27pm
"They also had lasers."
HA!
And boring ones at that. Does anyone know what the deal was with that shower curtain that came down as the main drape during the destruction? I always kind of thought it was to protect the audience's eyes, but then I read somewhere that 'blood was splattered on it', which I don't recall being the case at all.
Updated On: 2/1/12 at 02:27 PM
#222A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:29pmIts still better than what they do in this revival. Actually they do the same staging this time, only without the lasers, shower curtain, smoke or white staircase.
#223A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:33pm
When a show completely DIED previously, is the next mounting a revival or a resuscitation?
I think that white staircase happens spontaneously anytime Hugh Jackman enters a room.
Updated On: 2/1/12 at 02:33 PM
#224A Carrie Without Blood Is Like Show Boat Without a Boat
Posted: 2/1/12 at 2:37pmThe first sin was intercourse! Say it, woman!
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