Oy.
When I saw this at NYTW I thought it was in pretty rough shape, but he did lead an interesting life and his relationship with Nina Simone could be the basis for a good musical/play with music. The runtime of 3 hours was a killer, and with so much extraneous material I felt it was safe to assume the creators would refocus the show solely on Shlomo and Simone and the next incarnation would be much better.
The Broadway version was the exact same show that it was at NYTW. They didn't fix anything! What's the point of doing a try-out if you don't work on the piece? Clearly the creators couldn't see the problems with the piece and were unwilling (or unable) to make the necessary changes.
Truly, that night of the Broadway production was one of the most torturous I've spent watching a live musical. I've seen a few worse NYMF and Fringe shows, but you can't compare something at that level with a piece deemed fit for the Broadway stage. There was this sense of dread the night might never end and I would be forced to spend the rest of eternity in the Circle in the Square with Shlomo.
I wonder if this new production will be a remounting of the old one or if they FINALLY made the changes they should have made years ago. I have a relatively high threshold for pain, but I don't know if I'm enough of a masochist to find out.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!