Spielberg’s West Side Story — Page 4

I do have faith that they will cast this film and give many Latino performers the chance to shine. If you look at the Hollywood and even the Broadway past they cast whoever looked and/or sounded the part and very rarely considered the actors ethnicity a deciding factor in the casting process.

It's curious when one takes a look at some of the roles in this particular show/film with the actors chosen to play that specific role, which in the end does not reflect the actor's ability to play the role (the exception of course being Natalie Wood who had ethnically dark looks that fit the role but could not sing the role resulting in her being dubbed): 

ANITA (OBC) - Chita Rivera:  Puerto Rican ancestry

MARIA (OBC) - Carol Lawrence: Italian ancestry

MARIA (Film) - Natalie Wood: Russian Ukranian ancestry

BERNARDO (Film) - George Chakiris: Greek ancestry

ANITA (Film) - Rita Moreno: Puerto Rican

FRANCISCA (Film) - Joanne Miya: Japanese Ancestry

INDIO (Film) - Gus Trikonis: Greek Ancestry

GRAZIELLA (Film): Gina Trikonis: Greek Ancestry

Gina and Gus are siblings of Greek ancestry and yet were cast as a Jet girlfirend and a Shark gang member respectively. 

African American actors have also been cast in "West Side Story" as well: Dorothy Dandridge played "Anita" on a U.S. tour in the mid-1960s and Debbie Allen played the role in the 1980 Broadway revival.

So, historically speaking this show's casting has been all over the place. 

 

 

 

 

 

Updated On: 7/12/18 at 12:06 PM

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Updated On: 7/12/18 at 12:06 PM

Really?!?! That is not what all the casting call announcements stated. It clearly states what roles they were looking to cast. The lead roles were listed. 

Yes, they may have been looking to fill ensemble/dance roles but the purpose for the calls is very clearly stated in the announcements/ads. 

These open/cattle-call auditions are more to generate publicity onto the upcoming project as well as to have the auditioners bring on their A-game thinking they are being looked at for one of the leads.  Disregard what the sheet states.  Sue them for false advertising.  

Jennifer Lopez was already cast as SELENA when the film held nation wide open/cattle call auditions for the lead.  These nation wide auditions generated interest in the upcoming film though the producers already had cast their Selena.  Shortly after the auditions concluded, Lopez was officially announced and she never took part in any of the nation wide auditions.  

Same with Ana Villafane in Broadway's ON YOUR FEET!  She was already cast when they held open/cattle call auditions in Miami.  These Miami auditions generated TONS of publicity in Miami and in the Latin America market with their extensive coverage.    

You'll see this happen with this upcoming remake of WEST SIDE STORY -- all the leads will be recognizable names who NEVER took part of these open/cattle call auditions. 

 

BrodyFosse123 said: "Really?!?! That is not what all the casting call announcements stated. It clearly states what roles they were looking to cast. The lead roles were listed.

Yes, they may have been looking to fill ensemble/dance roles but the purpose for the calls is very clearly stated in the announcements/ads.

These open/cattle-call auditions are more to generate publicity onto the upcoming project as well as to have theauditionersbring on their A-game thinking they are being looked at for one of the leads. Disregard what the sheet states. Sue them for false advertising.

Jennifer Lopez was already cast as SELENA when the film held nation wide open/cattle callauditions for the lead. These nation wideauditions generated interest in the upcoming film though the producers already had cast their Selena. Shortly after the auditions concluded, Lopez was officially announced and she never took part in any of the nation wide auditions.

Same with Ana Villafane in Broadway's ON YOUR FEET! She was already cast when they held open/cattle callauditions inMiami. These Miami auditions generated TONS of publicity in Miami and in the Latin America market with their extensive coverage.

You'll see this happen with this upcoming remake of WEST SIDE STORY -- all the leads will be recognizable names who NEVER took part of these open/cattle call auditions.

Now that made me laugh out loud. But I do see your point.

 

Carousel's choreography was stunnning. This can only mean good things.

I didn't see Carousel but the ballet portions should be interesting to see

I found his choreography of Carousel horrible especially Blow High, Blow Low, which was all about him and nothing about Carousel.

It's difficult to say if Peck's choreography will or won't work in Spielberg's WSS without knowing Spielberg's take on, or vision for the storytelling.

Spielberg (for me) is an unexpected choice to direct a musical to begin with, but I know from everything he's done in the past, that I've not been disappointed by his movies.

I LOVE Peck's choreography, beyond just his work on "Carousel". I don't need him to choreograph WSS in the same way Robbins did, neither do I want him to. 

As already mentioned, Robbin's choreography is iconic. I don't want Spielberg's version to mess with that; try to best it, or imply that Robbin's choreography is in any need of an update. That just isn't so.

I agree that Peck's "Blow High, Blow Low" didn't function narratively, as expected. What I saw instead was a LOT of characterization regarding the men who were dancing it. There was a boatload of masculinity (as well as a balance of ho-yay) happening in that number. Wrong or right, I found that appealing, and a surprisingly different way to tell part of the story.

LizzieCurry said: "Ansel Elgort?

https://twitter.com/krolljvar/status/1046886841637453825"

Well that’s unexpected 

I totally predicted that Ansel would do this. And I'm okay with it! I'm optimistic about it!